Karen Mansfield: Singer And Songwriter

Written by: Frank Iacono

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Singer-songwriter Karen Mansfield, long considered a mainstay of the legendary Asbury Park, New Jersey music scene, is best known for her enticing onstage presence and mesmerizing contralto vocal range.

Mansfield, who began her career as the frontperson in the 80’s all-girl punk band known as the Bleeding Knees, has been described as highly melodic and enchantingly haunting. Lyrically, she forms a strong bond with her audience by connecting through a range of deep emotions involving everyday love and relationship situations.

Over her career, Mansfield has recorded and performed with numerous national artists including, Jewel, Concrete Blonde, Whirling Dervishes, Bobby Bandiera (Southside Johnny and the Asbury Jukes, Jon Bon Jovi), Shawn Pelton (Saturday Night Live Band), Mikeal Jorgensen (Wilco), Erik Paparazzi (Cat Power), John Conte (Southside Johnny and the Asbury Jukes), John Eddie, Vance Gilbert, Johnny Thunders, and Willie Nile.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Karen Mansfield and asking her a few questions about her musical inspiration and influences, her songwriting and recording process, her upcoming appearances, and her self-titled debut six song EP.

Q&A Session

The Creative Spotlight: At what age did you first realize that you wanted to be a musician and whom or what would you say inspired you in your journey?

I was very young when my maternal grandmother would come over and sing to us and give us each a song of our own to learn and perform for the next time she’s visit. Mine was “There is a Tavern in the Town”. I remember looking forward to singing it for her and learning new songs. Her brother had been a vaudeville performer so she taught us all the tunes she’d learned from him.

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I remember at a family party standing on a picnic table in the backyard of my Aunt and Uncle’s home, singing a song a made up, “Rock ‘n’ Roll in My Tummy”. We later figured out that I must have been 3 or 4 at the time.

Then on my 7th birthday I saw the Carpenters in concert and that was a big deal. My mom was a fan, and we had all their albums and 45’s. I think having heard the music in my home and also on the radio, then experiencing it live — also feeling some kind of connection with Karen because we had the same first name, (you know little kids think like that) — the combo of it all struck me and I’ve never been the same since. Karen was wearing a beautiful gown singing her heart out, and then she ran off stage and changed into some slacks and came out, sat behind the drum set and rocked out! I was thrilled!! I knew what I wanted to do with my life since that moment. I begged Santa for a drum set every year and never stopped singing and making up songs.

I believe that my father’s Grundig stereo console from Germany was instrumental in my early musical development. I remember my parents showing me how to turn it on and use the turntable. I remember feeling the warmth and hearing the hum of the tubes, playing LP’s and singles, dancing around the living room, singing and acting out the words to every song. I loved it! Certainly my favorite pastime as a youngster.

We had a piano in our living room that I used to color on the keys with crayons. I remember trying to sound out familiar melodies. My parents didn’t play, but my dad knew enough to teach me, “Heart and Soul” and “Nickelodeon”. It was tough playing though, when everyone else wanted to watch TV.

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Later when I was ten my dad gave me a miniature reel-to-reel recorder he hadn’t used in years. We went to Radio Shack and bought a cheap little mini microphone. He showed me how it worked and I fell in love with recording, making up characters and songs on the spot.

Another early influence that I feel steered me into music was our family parties. My mom came from a large family with 11 siblings, and when they’d all get together they’d spend a good portion of the night singing, and having a ball. The last song of the evening was always “Side By Side”. I can recall wanting to be a part of that kind of fun and comradery, and of course, all that singing.

TCS: For the benefit of those who are not familiar with Karen Mansfield, how would you describe your musical genre?

I don’t feel I have a genre other than rock. It’s eclectic, but if I had to I’d say Retro-Pop Rock, Roots, Adult Alternative Pop, Americana, Alternative Country, Singer Songwriter. People have said I sound like Janis Joplin, Emmylou Harris, Olivia Newton John, PJ Harvey, and Karen Carpenter. I guess one would have to listen to decide for one’s self I think. I’m not aiming at any specific genre except rock. I just want to make great music.


TCS: What famous musical artists and/or bands were among your early influences and how do you think they shaped you both as a singer/songwriter and performer?

Elvis! I remember staying up late to watch the comeback special. I was pretty young, but I do remember! I’m pretty sure he influenced “Rock ‘n’ Roll in my Tummy”.

I loved Dinah Shore, Hee Haw, Partridge Family, and the Osmond’s; honestly anything music drew me in. Since there were six of us Mansfield kids, I wondered why we weren’t in a band with a TV show!

In the late 70’s my brother ordered a bunch of records from K-Tel for $.99 each. One of the albums he received was called “British Gold”, a compilation of hits like “Bus Stop” by the Hollies, “The Letter” by the Box Tops, “World Without Love” Peter and Gordon, Derek and the Dominoes, Cream, The Yardbirds, and more. I loved it. Since we didn’t have a ton of records I’d play that one and the Elvis greatest hits record and Linda Ronstadt over and over.

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We used to spend a lot of time at my Uncle Rocky and Aunt Cherie’s and he’d always be listening to the country station 1050 WHN. I started listening in my room on a little transistor radio under my pillow; so there is that country-based influence.

I was a pretty big Donny and Marie fan as a middle schooler. Then my tastes changed as I got into high school. I absolutely loved The Doors; definitely my favorite band of all-time. I was into B-52’s, Led Zeppelin, The Who, early Ozzy Osbourne, and Bruce Springsteen. I later got into Patsy Cline and Billie Holiday.

TCS: Take us behind the scenes in the making of your 2014 self-titled EP Karen Mansfield. What was your favorite part of its production and the most challenging from an artistic perspective?

My favorite part of making this record was working with the guys I chose for the project. Rob Tanico is just bursting with creative genius and loves music possibly more than anyone I’ve ever met. I knew I was in good hands with him as producer and musical director. We had a magical day at Shorefire Recording Studios in Long Branch, NJ laying down live tracks for bass, drums, and guitar. Most tracks were done on the first or second take. I love that room and Joey DeMaeo is solid gold. I felt that having P.K. Lavengood on guitar, David Halpern on drums, and Rob on bass it was going to be a great studio experience and it certainly was. They’re all of course so familiar with each other, having worked together for so many years; P.K. and Dave playing with John Eddie and Rob and Dave with Mr. Reality and Highway Nine. The energy was great and I felt that everyone was equally excited for the project.

The only challenge I had was being patient waiting for the rough mixes. Rob put a lot into this project and played nearly everything that wasn’t laid down on that first day in the studio. I consider myself a pretty patient person but the excitement of completing this album proved to the contrary.


I had the best artists working on the photos and album artwork. I had such a great experience working with my art director Barbie, who just happens to now be my sister-in-law. I couldn’t be happier with Steve Greenwell’s job mixing it, and Turtle Tone with a fine mastering job. I enjoyed working with everyone at Disc Makers and CD Baby.

It was all very exciting and encouraging.  There was a bit of panic and juggling for me to make it all happen, but I’m very happy for the experience and can’t wait to do it again.

TCS: Personally, one of my favorite songs off of that EP is the track called “I Know You Know,” so can you share with us the writing process and the meaning behind it?

Actually, this was one of those songs that writes itself and it the whole process takes less than 15 minutes. I’m not sure where the inspiration for this song came from but I remember it fell upon me while I was in the studio recording a record in the early 90’s. I guess I wanted to write about that electric intensity, that magnetic pull of attraction, and the waiting, knowing after the first kiss, etc., you might get that feeling back. Not like it was prior. So, you wait, in the excitement and the desire. You leave it up to other person to make the first move. Maybe you’re not sure they’re feeling what you are. It’s the buzz of sensory overdrive and the anticipation of that magic moment when you succumb to the inevitable.


TCS: Tell us about how rewarding it was to serve as the frontperson for the all-girl punk band Bleeding Knees and how it prepared you for your solo career?

I enjoyed my time thoroughly during the Bleeding Knees days. I honestly didn’t know what I was doing. I had my fist gig booked before I even had enough songs for our set. I was shy and hid behind bangs that fell into my eyes. It was a great time of writing about whatever came to mind, what I thought was funny, or lame, and what would shock people. Honestly we were out of control. I barely knew how to tune my guitar. We were funny! People loved coming out and getting the joke! Checking out what obnoxious thing would we do next. The songs were funny, crude, silly and we had a blast. I recall someone after one of our shows at the Green Parrot in Neptune, NJ saying we reminded them of Pebbles and Bam Bam from The Flintstones but with cuss words. It was a lot of fun. The other members were still interested in coming up with more outrageous and raunchy material when I felt it was time for me to take things a bit more seriously as a songwriter.

I never wanted to perform solo and was waiting to come across players who’d want to back me up. One day my friend Alex Goetchius called asking me to open for his band, Piece of Wood, at the Brighton Bar in Long Branch. He encouraged me to play solo. I’d never turned down a show before and although I was petrified I did the show anyway. So, I feel fronting the Bleeding Knees taught me that I can get out there no matter what and connect with the audience whether it be with a band or by myself with an acoustic guitar. I guess I was ok at it since I ended up being nominated 9 times and winning 3 Asbury Park Music awards in the “Top Female Solo” category.

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TCS: Can you share with us some details about your time performing with numerous artists such as Jewel, Bobby Bandiera (Southside Johnny and the Asbury Jukes and Jon Bon Jovi), Shawn Pelton (Saturday Night Live Band), Mikeal Jorgensen (Wilco), and Concrete Blonde just to name a few?

I opened for Jewel at the Saint in Asbury Park just about six months before her album went platinum and everybody knew who she was. She was not feeling well that night so she stayed in her van until her performance. Great voice, though she did a bit of yodeling, which was kinda different for Asbury Park. I was impressed.

My sister dragged me out to see Bobby Bandiera on a Wednesday night at Cheers in Long Branch circa ’89 or ’90. On his break we were introduced and immediately he asked, “ya wanna sing?”. This became a weekly occurrence, never rehearsed, always a ton of fun. He’d call me up to do “I Got You Babe”, “Love Potion #9”, “Dream Lover”, “Me and Bobby McGee”, “Stop Dragging My Heart Around”, and more. It was wild fun. Bobby is fantastic.

It was certainly the place to be on Wednesday nights. I think I stopped making the scene in ’96, around the time I had my daughter but I’ll always remember how he encouraged me and included me.

Shawn Pelton played with John Eddie and I’d known him from the local music scene and from playing with P.K.’s band Without Fear, also at Cheers. Then in ’92 or ’93 when I was making a record in Red Bank we called in Shawn to play on most of the 11 tracks. He’s the best!! The album has never been completed but one single entitled “Jessie” was released and is available still on ReverbNation. He’s such a phenomenal player and so amazing to work with!

Mikael Jorgensen and Erik Paparozzi were in a local early ’90’s band which I absolutely loved, called Lizard Music. I met them at an open mic at the Ink Well in West End and fell in love with them! I requested them on all the shows I did and we became great friends. We had a lot of laughs and we encouraged and believed in each other’s music. It was a sweet time!! Then when their bass player, Chris Guice, was in California playing bass for a kids show on Nickelodeon, “You Can’t Do That On Television”, Mikael, Erik, and I formed as “Karen’s Lizard” as per request by Brighton Bar promoter Jacko Monahan. We did a few shows mixing up the set with half my tunes and half Lizard Music tunes. The guys had such amazing harmonies and I just loved hearing my songs with their added magic.

During the early to mid-90’s I had many opportunities to open for national acts. One of the most exciting of those times was when I got the chance to open for Concrete Blonde during their Bloodletting tour. The show was at the Fast Lane is Asbury Park. The place was packed and the audience was wild, and super receptive to me and my acoustic guitar. Johnette Napolitano and the guys were awesome!!

TCS: Tell us about the background story behind another favorite off of your new EP entitled “Your Lies”?

The title says it all, “Your Lies”. I think it’s about the affect the lies have on the broken lover, the hopelessness of the situation when one is addicted to the lies of unhealthy love. I’ve found sometimes there’s a dream that underneath all the falsehood there might be a person of substance who could be capable of something real and good and pure. It’s a tremendously sad song.


TCS: Share with us your experience in playing at the Light of Day Festival in January of 2015?

My performance for Light of Day 2015 was at Asbury Lanes, in Asbury Park. My band was Rob Tanico on bass, P.K. Lavengood on guitar, Billy Siegel on Keys and David Halpern on drums. We played for a half an hour and did mostly all the songs on the EP, plus a cover of Dolly Parton’s “Joleen”. It was one of the best shows we’ve done so far. It’s always such an honor to perform for Light of Day and to be a part of finding a cure for Parkinson’s and related diseases.

TCS: How thrilling was it for you when the Asbury Press wrote an article featuring you entitled “Jersey Shore Treasure Karen Mansfield Returns to Scene”?

Oh, it felt great! I’ve felt loved for a great many years now, having been a part of the scene for so long.

I took a long break to be with my daughter and try other career options. As my daughter grew up I felt I was being called back to my music. My return was certainly greeted with a warm welcome and I couldn’t be happier. I’m very grateful to be welcomed back to the music community with open arms. It’s like having a second family! Certainly blessed to have all the live and support I continue to receive!!

TCS: From your new EP, please describe for us the writing and recording process behind the single entitled “Just A Man”?

”Just a Man” came out of me talking to a friend about a guy I was hung up on, and her being sick of me going on and on describing all of his wonderful attributes. She finally looked and me and said, “he’s just a man!” Kinda like, get over it! Of course my response was, “yeah, but he does it to me”. Not all of them do so I thought it was worth putting into a song.

The song wrote itself. Rob came up with the early Rolling Stones feel for the recording. It’s one of my favorites to play live; and audiences connect with it too.

When someone “does it to you” it feels great, and that’s what this song is about.


TCS: After all these years of chasing your musical dreams, what do you feel keeps you motivated to continue recording and performing?

I am motivated by the desire to reach the listeners who connect with my writing and my performance. I don’t know that I’ve done that to the best of my ability yet, at least not on the scale that I believe I can. Also, I feel this is a calling and to turn around at this point would just not be acceptable. Most of all, I continue because of the love of music. I’m still that little three-year-old getting goosebumps from watching Elvis in that leather suit, teaching us all how it’s done. I’m blessed to feel what I do every time I make folks happy with my music.

Lastly, the most important reason is to teach my daughter to follow her dreams, to be true to herself no matter what anyone says. To find out what brings you joy and to do it with all her heart, soul, and strength. To dig deep inside, work hard, and never give up.

TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?

My very first show was on ’85 or ’86, I with my friend Diana at a furniture gallery for a holiday event called “Festival of the Trees”. It was a silent auction for elaborately decorated Christmas trees. We played in front of a fancy staircase and had to move every 2 minutes when shoppers or staff wanted to come through. It was pretty awkward but we had fun.

I’ve played the 8×10 Club in Baltimore, hit my head on the ceiling trying to get on stage. Cool place though. We were there the day after Michelle Shocked.

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TCS: In what ways do you market your appearances?

I usually post my events on my Facebook Music/Band page. I also use Bandsintown, ReverbNation, and my website KarenMansfield.com. Additionally, I tweet on my Twitter account, post on Instagram, Tumbler, Pinterest, and sometimes on LinkedIn.

To stay connected with Karen Mansfield, please visit the following:

Tee shirts are on their way. And, my CDs are for sale at all of my shows and are also available on the following:

TCS: Is there a particular venue that you’ve always wanted to play either as a member of Bleeding Knees or as a solo performer? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

While in the Bleeding Knees I was content just gigging locally. I was still very shy and apprehensive in those days. Nowadays I’d like to travel to perform in cities like Nashville, Asheville, Austin, Philly, New York, where ever there’s a cool music scene, where ever I can meet my listeners. I’d like to perform in other countries as well. There are many venues I look forward to performing in! I can’t wait to play whatever venues the future holds for me.

As far as performing alongside other entertainers, I am open to whatever comes my way!

I’m looking forward to an upcoming trip to Mesa, AZ where I’ll be performing for the Mesa Music Festival November 13-15, 2015. It’s going to be a huge event with Matt Pinfield giving the keynote address at the opening ceremony.

I look forward to meeting the locals there and meeting many of the artists and industry professionals in town for the event.

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TCS: What famous song do you wish you had been credited with writing and performing?

There isn’t a song that comes to mind that I wish I’d written. Though, there are amazing songs out there, that of course, when I hear them I wish I would write a song of equal intensity, sensitivity, depth of soul, and brilliance.

I’ve always thought that I’d love to make a record like Carol King’s Tapestry. It’s got everything and it’s wonderful from start to finish.

I guess if I had to pick one song I might go with “On a Clear Day (You Can See Forever)”, because I find it so inspiring.

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

I love J.D. McPherson. And his tune “North Side Gal” changed my life.  I also love Lucinda Williams and all of her songs, especially her album Down Where the Spirit Meets the Bone.

TCS: What does the short and long-term outlook look like for Karen Mansfield?

Short term is Mesa, AZ for the first ever Mesa Music Festival November 13-15, 2015. Then I am hopefully heading into the studio to start my next album. I’m hoping to play more music festivals, house concerts, and shows out of my hometown region.

Long term, I plan to keep making music, writing, recording and performing, and meeting great folks like you along the way.

Song List on Karen Mansfield (2014)

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  1. “I Know You Know”
  2. “No More Suffering”
  3. “Your Lies”
  4. “Just a Man”
  5. “Destiny”
  6. “Keep On (For the Sunny Days)”

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Meisha Johnson: TV Personality

Written by: Frank Iacono

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Meisha Johnson, a Minnesota born native and Journalism major from the University of Minnesota and Anoka Ramsey College, joined the Philadelphia, Pennsylvania CBS 3-owned KYW-TV in mid-July of 2015 as the morning traffic reporter. Prior to moving to Philadelphia, Meisha worked as a traffic reporter for KMSP, the FOX 9 Morning News affiliate, in Minneapolis-St. Paul since 2013.

Meisha, an outdoor sports enthusiast, is a veteran performer in everything from hosting TV shows and extreme sports reporting for networks such as FOX Sports, VERSUS, SPEED Channel, ABC and CBS Sports, as well as acting in commercials, theater, and independent films such as 13 Hours in a Warehouse (2008), Cold Feet (2008), and Fall Into Me (2006).

Meisha is fluent in Swedish and attended the University of Uppsala while living in Sweden for several years after high school. She has also served as the spokesperson and host for K-Swiss fitness on the national shopping network, EVINE Live, and a corporate speaker for a plethora of different companies.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Meisha Johnson and asking her a few questions about her career inspirations, her overall background and experience, her movie roles, her meeting with legendary Rock and Roll Hall of Fame inductee Don Felder, and her new job as the morning traffic reporter for CBS 3-owned KYW-TV.

Q&A Session

The Creative Spotlight: At what age did you become interested in TV hosting, modeling, and acting? And, who or what inspired you to pursue a career in this profession?

Meisha Johnson: At a very young age, I began watching scary movies with my mother. My father dabbled in theater, and his father, my grandfather, worked as a Director for the well-renowned Guthrie Theater in Minneapolis, MN. From my earliest memories, and clearly weaved throughout my DNA, I loved performing. Beginning in elementary school, I would act in any play possible- and I always wanted to play the antagonist role. I had a wildly creative imagination and began writing scary movie scripts in fifth grade. I’d hold auditions in the backyard for my friends and neighbor kids, and every year would have an annual haunted house to raise money for movie props. My love for the performing arts has followed with me throughout my entire career. As far as modeling is concerned, that was never something I wanted to do. It would come across my path from time to time, but it was certainly never my passion. After college, TV Hosting came knocking at the door and it was love at first job. In terms of what or who inspired me, in truth, I followed my heart. There was no escaping it, no other choice, no other path to pursue. I knew who I was- what I loved- and I knew I was to follow that inner voice.


TCS: For the benefit of those who may not be too familiar with Meisha Johnson or your overall body of work, please describe for us your career at a glance?

MJ: I started out acting in local and national TV commercials, local film and theater. I did a brief appearance for the Young and the Restless while studying at the University of Minnesota’s Journalism school, as well as dabbled in a few TV pilots. From there I began hosting sports TV shows for FOX Sports, CBS Sports, Versus and Speed channel, and was also the spokesperson for several different companies such as K-Swiss Fitness, 3M, Polaris and many others. From there I began hosting on the nationally syndicated network, EVINE Live (formerly ShopNBC), and was then offered a job as a TV host on our local CW Television Network. I turned down the job at the CW when FOX 9 News contacted me around the same time offering me a part-time position in news.

Reel – Meisha P Johnson – Host from Amy Waksmonski on Vimeo.


TCS: Can you give us three “Good to Know” facts about you?

MJ: 1) I was a waitress throughout high school and a lifeguard/diving instructor afterwards 2) I absolutely love animals. If I wasn’t working in television, I would dedicate my life to working with/for them, and I’d love to have a pot-bellied pig one day 3) My father was a professional boxer so I grew up ringside. I’m a tough cookie 😉 – and three bonus, 4) I had iguana’s as pets growing up so I’ve got an iguana tattoo on my back in memory of them, 5) I lived in Sweden for 3 years and speak swedish, 6) My middle name, “P.J.” – yes, PJ is my middle name, stands for “Phoebe Jean.”


TCS: Can you describe for us your longtime presence in the snowmobile industry, most notably as the host of the Sledhead 24/7 TV Show airing on FOX Sports North and of the ISOC Amsoil Championship Snocross Series on the SPEED Channel?

MJ: When I think about the past decade of my working career, Sled Head 24/7 stands out as extraordinarily instrumental. I spent 8 years of my life hosting powersports shows and “Sled Head” is where I began my career as TV Host. I was acting in a TV pilot when the producer asked if I could ride a snowmobile – in which I responded with a firm, “yes.” I auditioned for the show (Sled Head), landed the job, and “Sled Head” became my baby and the racing community became my extended family. Still to this day, the fans of that show, and all the other TV shows I’ve hosted, still follow my career here at CBS 3. Bless their hearts, they watch the show online. I’m moved beyond words when I think about all the experiences I’ve had because of those years in the powersports pits (snocross, supercross, motorcross, ATV racing). It was a lot of hard work, no doubt, but I wouldn’t trade my sports hosting past for nothin’. It’s been an incredible journey and I’m forever grateful for the memories.


TCS: Describe for us your experience playing Brandy in Tim VandeSteeg’s 2006 Comedy, Drama Fall Into Me?

MJ: “Fall Into Me” was my very first “real” feature film. It was such a great learning experience. As with all “firsts”, it’s the film I “cut my teeth on” so-to-speak. This is where I learned how a true feature film works and is shot, what I should and shouldn’t do, and how grueling long days on-set can actually be. I loved playing the part of Brandy. She was the antagonist, a supporting lead role, with an edgy, no “BS” side that was fun to play.


TCS: How did you prepare for your role as Jennifer Wilkins in Writer/Director Dav Kaufman’s 2008 Horror, Thriller 13 Hours in a Warehouse?

MJ: To be honest, I really didn’t prepare all that much. I wanted to have a genuine fear as things happened in the scene as opposed to over-rehearsing. Instead, I tapped into that “what would you do?” moment and rolled with whatever emotions came out naturally.


TCS: How much fun did you have playing Carol Deering in Ross McNamara’s 2008 Screwball Romantic Comedy entitled Cold Feet, a fast-paced, banter-filled style of Hepburn/Grant films from the ’40s?

MJ: Lol! “Cold Feet.” Oh this movie was so much fun. First off, it was a comedy so being on-set with a bunch of comedians is bound to make for some hilarious work days. Secondly, I had the lead role so I was on-set almost every single day which I loved. Third, well… it was my first on-screen kiss… and I was a nervous wreck the whole time… but, I found out how unromantic on-screen romance really is – Lol. Carol was a strong protagonist character that I could relate to in terms of wanting to make right choices while having a good sense of humor about all the craziness life brings. I still smile when I think about how fun it was to make.


TCS: As an actress, is there a specific role or type of character that you haven’t played yet but would really like to?

MJ: I’d love to play an edgy, meaty role on a controversial topic. Something gritty, creative and authentic. Main-stream Hollywood movies don’t interest me as much as the independent one’s that evoke a lot of emotion and difference of opinion. The kind that makes you think, “What in the world would I do in this situation?”


TCS: How thrilling was it to join CBS 3’s ‘Eyewitness News This Morning’ in Philadelphia as traffic reporter, after serving as a traffic reporter with KMSP, the Fox station in Minneapolis-St. Paul, MN? And, please describe for us your first day on July 20th and how entertaining it was to have met the Phillie Phanatic?

MJ: When I was contacted in the Midwest by CBS 3 in Philly about a possible job offer, I was incredibly excited… and nervous all at the same time. It was a big decision moving out of my Midwest “comfort zone” to the big east coast. That said, there are no accidents in this life so I knew when the door opened it was my time to walk through. My first day was amazing! The viewers were sweet and welcoming and producers and management couldn’t have made me feel more welcome. They went out of their way to make it special and I’ll never forget it. And, as you would expect, the one’s that made me feel the most welcome in the beginning, are still my “besties” at the station to this very day. That said, I would be remiss if I didn’t mention the viewers! The fans/viewers of the morning show have also become my besties (on social media) as well. Being out here alone, they’ve become family to me in a way. I spend every morning, Monday through Friday, with them for our Twitter “#coffeedate.” Truly, I don’t know if they’ll ever really understand how much they mean to me. As far as the Phillie Phanatic is concerned, let’s just say we hit off immediately. It was love at first fuzzy kiss on-air! Lol!

Meisha-Johnson-Eyewitness-News-KYW

TCS: Nowadays, what does an average workday consist of for Meisha Johnson?

MJ: Things have changed quite a bit since the world of “freelance.” I try to go to bed around 6pm Monday through Friday. My alarm goes off at 1:30 a.m. I do hair and make-up until around 3am and then I head off to the studio. From about 3:30 – 4:15 I prepare (final touches, hair/make-up, align traffic hits, etc) and we go LIVE at 4:30a. It takes a lot of discipline to stick to this kind of a schedule, but it’s pretty cool to have such strict structure as well. On Friday’s I try to nap after work so I can stay up a bit later in the evening, or I hop on a plane to Minneapolis for the weekend. Saturday’s are the only day of the week I allow myself to “sleep in” although I’m still usually up by 7-8am. Sundays I set an alarm around 4-5am to try and get on a schedule again, and Sunday evening it’s lights out at 6pm again :).


TCS: Can you tell us about ‪a program you started about a year ago called #‎AskMeishaMonday‬?

MJ: #AskMeishaMonday is by far the most unknown yet important work I’ve done. Throughout my televeision career, I’ve always interacted with my fans online (facebook, twitter, instagram, etc). Over the years, many of them would open up to me, telling me about struggles they were going through or looking for friendly, non-biased, unemotional advice. A large majority who would write were going through sticky situations they didn’t want their immediate friends or family to know, and/or didn’t want to go to a counselor, so they’d turn to me for a second opinion or prayer. I realized this enormous need for people to have someone to turn to, even if just an ear to listen. Over time, and to make it more time efficient and affective for all, I began opening up my social media sites on Monday’s solely to interact with those in need. #AskMeishaMonday was birthed from a desire in me not wanting anyone I’m connected to feeling alone. We’re all equipped with gifts we can use to help others. Offering advice, prayer, an ear to listen, and counsel to others happens to be one of mine. It’s one of the most important things I’ll ever do with my time. My life’s ministry. It doesn’t matter if I’ve met the person or not- if we’re connected, via social media or otherwise, they are not alone. Since moving to Philly, I haven’t opened #AskMeishaMonday up again, but I plan on doing so in the near future.


TCS: Recently you posted on Facebook that you visited Atlantic City for the first time, please share with us your overall experience?

MJ: I literally did a drive-by in Atlantic City! I was on a mission to learn some of the roads so I went on a little road trip. When the warm weather returns, I plan playing a slot machine, catching a concert, and enjoying the shore ;).

TCS: How exciting was it when you met Don Felder, one of the greatest guitarists and songwriters, from the legendary Rock and Roll Hall of Fame inductees The Eagles?

MJ: When I got the phone call from CBS that Don Felder wanted to meet “the traffic girl” I was quite taken aback. “Me? Why?” was my first response. I was already done with work for the day when I received the phone call but I drove back to meet him anyway. On the way back to the studio, I drove over a nail and got a flat tire. So Don, being the sweetheart he is, drove me back to corporate housing in his limo – lol. Truly, aside from being the legend he is, Don is such a gentleman and such a wonderful person. I’m grateful to have met him that day, and crazy enough, we’ve kept in contact since then. Today I can say I’m honored to now call him my friend.

Meisha-Johnson-and-Don-Felder-Eagles

TCS: Looking back over your career, if you had to do it all over again, is there something that you would do differently? If so, what would it be?

MJ: I have absolutely NO regrets and I wouldn’t do anything differently. That doesn’t mean everything has been smooth sailing. Life isn’t that way as we all know. However, I firmly believe we’re exactly where we’re supposed to be right now even if we don’t fully understand why. Everything I’ve done in the past has helped me develop the skills and know-how for the work I do today, and the work I’ll do in the future. Our past is the building blocks for the firm foundation needed moving ahead into the future. Life is a crazy fun adventure and, no matter what is to come, there will never be any regrets.

About Frank Iacono

Frank Iacono - The Creative Spotlight

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.