Daniel Mason Band – Singer-Songwriter

written by: Frank Iacono

There is something to be said about Daniel Mason, the way he captures an audience with his soulful voice – brings back a taste of Blue Eyed Soul with a mix of Country, Pop and R&B – and writes with integrity and truth.

Daniel Mason was born in Paris, Kentucky to a small impoverished family. Daniel emerged and matured his God given talent in the local church. Raised by a Mother that influenced him with musical artists ranging from Marvin Gaye, Michael McDonald, and Hall & Oates to Michael Jackson.

From there he developed guitar and writing skills at an early age. As most serious hungry artists, he moved to Nashville, Tennessee in 2008 to establish himself as a Singer/Songwriter. After 3 years and 500+ shows as a lead singer of a local favorite Nashville trio Amber’s Drive, Daniel Mason is pursuing his own music career. He currently is out in support of his long-awaited debut solo album.

In this edition of The Creative Spotlight, I had the pleasure of interviewing country soul singer-songwriter Daniel Mason and asking him a few questions about his musical influences, his songwriting and recording process, his upcoming tour schedule and his band’s new self-titled album.

Q&A Session

TCS: At what age did you first realize that you wanted to be a musician and what was the first instrument that you learned how to play?

Daniel Mason: The first time I realized I wanted to be a musician was after hearing the legendary King of Pop Michael Jackson sing and perform at the young age of 5. The acoustic guitar was the first instrument I learned to play at the age of 11, but actually my voice was the first instrument that came naturally to me.

TCS: How would you describe the Daniel Mason Band’s musical genre and overall sound?

DM: I would describe the Daniel Mason Band’s musical genre as a blend of Soul, R&B, Folk, and Country which we call Southern Soul or Vintage Pop.

The Daniel Mason Band lineup consists of:

Drums / Joel Burns
Bass, Vocals / Scott Barritt
Lead Vocals, Guitar / Daniel Mason
Lead Guitar, Vocals / Jase Hackman

TCS: What famous musical artists and/or bands were among your early influences and describe for us how they impacted and/or shaped your musical style?

DM: As I mentioned, Michael Jackson was my first big musical influence that, after singing his songs over and over, helped develop my vocal and musical creativity. His vinyl 45 single of the song “Billy Jean” was my first record purchase as a child. In my teens, my parents bought me the Garth Brooks “No Fences” chord book and I learned every song. So, Garth was a huge influence as well.

As my music and vocal matured I naturally found my home in the Soul/R&B world. I started getting more and more into 70s and 80s R&B/Soul music and that led me to discovering soul singers such as Marvin Gaye, Hall & Oates, Michael McDonald and pretty much all the artists/bands that came out of the Muscle Shoals era.


TCS: For the benefit of those who may not be too familiar with Daniel Mason or your musical career, please describe for us how you started out and eventually ended up being the lead singer in the Daniel Mason Band?

DM: It wasn’t until my junior year in high school that I started writing songs on a consistent basis. I played a few open mic nights and performed with a cover band for extra cash. My first real band was following college when I played in a Christian pop band called Another Level. We toured around the Kentucky area playing at college coffee houses and various festivals. After what I like to call a “Summer of 69,” the group broke up, I got married and took on a day job.

It wasn’t until the summer of ’08 that my passion for singing and writing music could not continue to stay on hold. As a result of having a long talk with the man upstairs, the family packed up and moved to Music City. From there, I started getting out networking and performing which led to connecting with a couple singer/songwriters. We started performing the songs we wrote around Nashville. It eventually evolved into an Americana/Pop Country Trio named Amber’s Drive that ended at the end of 2016 after 3 years/500+ shows. This led to the beginning of creating my own solo project. Once we hit the studio running, I felt at home in what we were developing and bringing to life.


TCS: How excited are you guys about the release of the new self-titled debut album?

DM: Very…it actually is the first solo project I’ve ever had the pleasure of releasing (won’t be the last). It felt good, it felt right…it was a long time coming.

TCS: From an in-studio perspective, which aspects of the album did you find least problematic to put together and which were the most troublesome?

DM: My strength is vocal, so going in the vocal production was definitely the least problematic. On the trouble side of things, we didn’t really have any on the production it was mainly on the actual release date that was originally planned. Some ‘life events’ happened that were out of our control and we pushed the release date up to late Sept. The overall vision of the project came to fruition and the end result was something to be proud of.

TCS: Personally, one of my favorite songs off of your album is a song called “And The Some,” so can you share with us some of the background behind the hit?

DM: “And Then Some” is actually our first single release off the album. This song was written by Gary Cirimelli and myself. I had this progression and melody idea that I wanted to develop and I showed it to Gary after a previous writing session where “One Of Us Lied” was born. He loved it and said he wanted that to be our next write. I had written down ‘give 110 percent’ in my lyric notes from the saying “Always give 110 percent”. I’m a sports fanatic so I’ve heard this term many times. I thought it could be a great way to express to women how much you love them as if to say, “I love you this much…and more!” Gary said, “I’ve got all that you need, and then some?” and from there we knew we had something special and finished it before the end of the session.


TCS: Can you describe the first time you stepped onstage to perform and tell us how does it compare to being on stage now?

DM: The first time I stepped out on a stage was brutal and nerve racking. I wasn’t one of those kids that just was born on the stage. Though I wanted to be in the spotlight, I gradually over time became more and more comfortable with the stage.

TCS: Tell us about the background story behind another great cut entitled “Somewhere I Gotta Be”?

DM: I wrote this tune with a good friend of mine Nathan Picard. We had just finished up on a song when I told him I had this really cool melody idea I had thrown down really quick. It was so rough, I was almost too embarrassed to show him ~ but I did because that’s what you do ~ lol. I didn’t want it to be your typical country ‘train’ song though the lyric idea I had was “train, train don’t be late!”. It quickly developed into the urgency of this guy that has somewhere he’s gotta be. And he’s telling the train don’t be late and the plane don’t delay, because he’s got somewhere to be with his baby.

Then Nate had this great line “no matter the miles it ain’t to far” which had this guy in the song willing to go anywhere it took to be with his love. We had a blast writing this song because it came together pretty fast. Once we established the theme it wrote itself.

TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?

DM: We would get pretty creative in the studio to find the sound we wanted. One time we took bed mattresses out into the middle of the studio floor and made like a little 4 wall house and sang and played our instruments inside. Surprisingly it turned out amazing. It was weird and unusual but we got it done. We still experiment to this day in the studio ~ whatever we need to do to get the sound we are looking for.

TCS: Another one of my favorite songs is the track called “You Don’t Have to be Lonely” so can you share with us the inspiration behind it?

DM: I had written this chorus idea about a girl that was being ignored in her relationship. All I had was a rough recording of the chorus but I felt like it was strong enough so I showed it to friend and cowriter Mark Ham. We messed around with it a bit to see if we could come up with anything but nothing really was coming to us. So, Mark took the rough idea home and ended up getting inspired and ran with it lyrically. When we meet up a few days later to write he had written most all the verses. The song was pretty much finished apart from a few adjustments we made.

TCS: How do you market your songs, albums, merchandise and appearances?

DM: Truly, the best way to find out information about the Daniel Mason Band is by visiting our website at danielmasonband.com. On the site, you can listen to our songs, discover our upcoming appearances, order our album and purchase other merchandise. Additionally, Elle Bobier and her team of amazing people at Ethereal Promotions also do a lot of promo/social media for us at facebook.com/etherealpromotions.

If you want to stay connected on our social platforms, please visit the following:

Daniel Mason Band Facebook
Daniel Mason Band ReverbNation
Daniel Mason Band Twitter
Daniel Mason Band YouTube

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

DM: This is a tough one, I really can’t answer specifically because I love so many. It’s like asking me which one of my children do I love more. Music to me is like a sixth sense. Like when you smell, taste, see or hear something and it quickly takes you to a moment in your life’s history.


TCS: What do you think the world would be like if music was never invented? And, what do you think you would you be doing instead?

DM: One word…BORING. I think it would be very boring.  I’d probably be doing something constructive, some type of woodworking; like building houses.

TCS: What does the short and long-term future look like for Daniel Mason?

DM: In the short-term, I plan to do more writing, more recording and a lot more performing. The goal is to put together some tour dates and hit the road running to reach more fans with our music. We want to be classified as a working band, providing for our families while making music we love. We want to put the right people in place that have the same vision as we do for our music and want to see us be successful. In the long-term, I will always be writing music and (Lord willing) performing it. I believe the progress of our short-term goals will in return determine our long-term goals.

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Rod Black: Country Rock Singer-Songwriter

Written by: Frank Iacono

Canadian country singer-songwriter Rod Black is no stranger to the country music scene. Rod was born in Langley British Columbia with country music in his veins. He grew up listening to classic country stars such as Johnny Cash, Willie Nelson and Waylon Jennings as well as Southern Rock pioneers Lynyrd Skynyrd.

Rod’s soulful lyrics and melodic writing style come together to craft songs with a lot of energy and have the depth to withstand the test of time. His music has been described as explosive and passionate rock’n’roll that is straight to the point with songs about life and everything that it offers.

In 2014, Black launched a solo career with the release of his initial single “Keepin’ On” which made the top 20 on the Canadian country billboards. In 2015, he was nominated at the Canadian Radio Music Awards for his second solo single, “Long Gone”. His time spent touring the US and Canada has surely given him the opportunity to hone his craft as a lead vocalist.

In this edition of The Creative Spotlight, I had the pleasure of interviewing country singer-songwriter Rod Black and asking him a few questions about his musical influences, his struggles as a performer in the music industry, his career in both Jet Black Stare and as a solo performer, plus his short and long-term future plans.

Q&A Session

The Creative Spotlight: At what age did you first realize that you wanted to be a musician and what was the first instrument that you learned how to play?

Rod Black: I was just six years old when I first performed in a Christmas play and I was hooked from that moment on. My dad played guitar so we always had various instruments in the house.

I, however, didn’t learn to play an instrument until a later age due to my stubbornness and selfish desire for wanting to be a front man. One day when my songwriting partner got a record deal, I was forced to learn how to play guitar and write my own music and that was when I learned to play an instrument. It truly was one of the best decisions I ever made in my career.

TCS: What famous musical artists and/or bands were among your early influences and describe for us how they impacted and shaped your musical style?

RB: I grew up in a rodeo family where country music was predominantly played in our household so listening to Waylon Jennings, Johnny Cash and Elvis among many others was an asset in my overall musical development and career. As I got older, I was introduced to classic rock acts like AC/DC, Aerosmith, Bon Jovi and etc.

At a young age, I always felt that if I could combine the two musical styles I possibly could be onto something big. Each performer and their music held a very special connection with me. As I listened, I felt a true connection and the energy truly resonated with me…it’s very hard to explain. Knowing that they all went through the trenches and at the end of the day they truly believed in themselves kept my dreams alive.

TCS: For the benefit of those who may not be too familiar with Rod Black or your musical career, please describe for us how you started out and eventually ended up being the lead singer in the hard rock band Jet Black Stare and now as a country performer?

RB: Oddly enough, Jet Black Stare actually started off as a country rock project. I was playing around the Vancouver, British Columbia area with an acoustic guitar accompanied by my best friend Mike McHolm, a very talented bass player and overall musician.

During this time, a very close friend of mine named Jeff Johnson, who was with 604 records co-owned by Chad Kroger lead singer from Nickelback, heard a couple of the songs that I was working on. Jeff was interested and we got together and started working on the catalogue.

 

Gordon Saran, a very close friend of ours who also works with Nickelback, was interested in what we were creating so he started introducing us to industry types. To that extent, the three of us worked on shopping our demo and within three months there was a major label bidding war in North America.

Island Records was the first to come to the table and I went with my heart and signed with them on September 7, 2007. Due to the economy in 2009, we parted ways with the label. However, I took this is a major blessing because my dad was very sick and I was able to spend time with him before he unfortunately passed away after a battle with cancer. From there, I took some much needed time off but the words of my late father still lingering in my head saying, “it’s time to continue where it all started” so I soon returned to the studio and began writing with Jeff Johnson and continuing on our country rock project.

“The Universe will always bring us back to the road we’re meant to travel on”.

The song “Keepin’ On” was the first song of many I would write with Jeff Johnson as I pursued my solo country career.

 

TCS: Personally, one of my favorite songs from the 2008 Jet Black Stare debut album is the title track “In This Life,” so can you share with us the meaning and background behind this song?

RB: One of the first songs I started writing was “In This Life”. It’s a song about bringing the soldiers home safe and giving strength and comfort to their families who are missing them while they’re away.

 

TCS: Tell us about how exciting it was supporting Jet Black Stare’s In This Life album by touring US and Canada as the opening act for established bands like 3 Doors Down, Staind, Hinder, Puddle Of Mudd, Shinedown, Drowning Pool, Theory Of A Deadman, Saliva and Seether?

RB: It’s very ironic how the universe works. Literally a year and a half previous to these tours I was in my room writing and listening to these bands as inspiration.

I remember listening to Johnny Cash’s version of “Hurt” practically on repeat envisioning myself on stage with these guys and the energy coming over me like it was actually possible etc.

Ironically, I was working on “In This Life” and “Fly” at the time, which are the two songs that got me signed to Island Records, so being on stage with them years later was almost very surreal. I am truly thankful for the experience. They all are incredibly gifted artists and very down to earth.

 

TCS: Explain how your song “Ready to Roll” came to be used by the National Hockey League Detroit Red Wings as their theme song of the 2009 NHL playoffs, as well as for WWE’s 2008 SummerSlam pay per view and in the opening theme of “Bad Movie Beatdown”?

RB: “Ready to Roll” was actually not deemed as the first single. It was written practically last for the album and when the record label heard the track it just made sense that it had the possibility of a sports theme type of track. As soon as it hit the sports community along with “Bad Movie Beatdown,” I believe that helped the song just take off like wildfire. I felt truly thankful and blessed.


TCS: From a song writing, studio recording, and accompanying music video perspective, can you share with us some of the details surrounding the single entitled “Go Big Or Go Home” from the album Keepin’ On?

RB: One of my close friends Jovan and I started writing “Go Big or Go Home” I then brought it to Jeff Johnson and he produced it and helped us put the finishing touches on the song, etc.

Gene Greenwood came into the studio with this camera and it started off as just getting live footage but he surprised us by putting a full-length music video together which gave the song extra life, as well as a raw insight of the recording process, etc.

”Go Big Or Go Home” is about believing in yourself where anything and everything is possible. If you set your mind to it and truly work hard every day you can make your goals come true.

 

TCS: Describe for us the meaning and background behind your music as well as the making of the song lyric video for the catchy title track “Keepin’ On” which peaked at number 22 on the Billboard Canada Country chart?

RB:”Keepin’ On” is about the heroes journey. It is a song about going through struggles and always having faith in yourself especially when difficult obstacles are placed in front of you.

The song lyric video was created by a very talented friend of mine named Bryan Chamberland. The one thing I truly wanted Bryan to convey through the video was that it stayed true to its real message that everybody can believe that anything is possible when on a hard road. Even though you might find yourself going through struggles we all have the ability to get through anything if we truly believe in ourselves.

TCS: Can you share the meaning and background behind the track called “Miles To Go” as well as the video concept?

RB: Once again, the very talented director and producer Gene Greenwood was behind the camera on this video and his vision was absolutely incredible. Additionally, Lori Watson, who also has incredible insight, had a lot to do with making this all come together. We can’t thank her enough. When Gene first heard the songs, he knew how we would approach them from a visual perspective instantly.

 

I guess it’s best to say there’s a bit of a commonality in the three tracks you asked about. They are all about having faith when in this life it can sometimes be difficult. We all go through our own struggles and life can appear to be like a roller coaster. It’s very important to note that we are capable of getting through anything.

TCS: How do you market your songs, albums, merchandise, and appearances?

RB: These days, without a record label it can be a little overwhelming at times, fortunately for me with the help of the Internet it makes anything possible. Additionally, Ethereal Promotions out of Nashville has really helped me get my name out there too. They truly believe in their artists. I’m thankful to be on their roster.

To stay connected, please join me on the following:

Equally, I love being on the road meeting people along the way. I find myself being inspired in every small town, city, etc. that I travel. I’ve met some amazing souls and continue to do so on this journey. I appreciate anybody that takes the time to listen to my songs it means the world to me.

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

RB: I think everybody should be listening to Elvis, Johnny Cash, Waylon Jennings and Marvin Gaye. in order to really appreciate the soul of music also where country is routed from Hank Williams Patsy Cline the list goes on and on.

I also have many rock albums that I love listening to too. At the gym, AC/DC is always cranked in my headphones along with Guns and Roses and of course my country favorites.

TCS: Can you describe what specifically happened when you were pronounced dead yet came back to life and then walked out of the hospital within hours? Equally, please share with us the details concerning the horrific car accident you experienced?

RB: This truly changed my life forever. In short, I drank 190 proof moonshine at a party let’s just say enough that I shouldn’t ever have walked away. Under my mom’s orders, I was rushed to the emergency. I call my mother my angel because she insisted that I be rushed to the hospital. My mom saw something in my eyes and made the decision instantly to get to emergency.

As soon as I was there chaos ensued. I heard the words echo “everyone out of the room, we’re going to lose him!” Soon to follow was the most unexplainable situation that I’ve ever come across. It was an unbelievable feeling and energy coursing through my body. I heard a long beeping sound and soon I saw and felt things that were very unexplainable.

I wake up in the morning thinking it was all a dream with a doctor telling me he’s never seen anything like that in his entire life. I would be released a couple hours later and ironically go to work the following night like nothing had ever happened.

Shortly after that, I was involved in a horrific car accident. I was in the backseat of a car that flipped 7 times into a farmer’s field. I was not wearing a seatbelt, and it is a long story as to why I made that decision, that’s story for another day. Ironically, I stayed in the car through the whole duration of the rolling while the driver and passenger were both ejected immediately. Again, it was a very surreal situation that is very unexplainable at times.

I would find myself under the care of the same doctor that treated me for my flat line, with no bruises cuts or anything to show. In this situation, I would leave the hospital that night once again. The next day I would make a decision to move instantly to another city and start my journey in a whole new direction with a different outlook on life which I continue to live every day.

“We are on this earth to love and learn it’s not about material possessions or how much money we have in our bank account.” #BeGood2OneAnother.

TCS: Can you Please share with us your involvement with The Children’s Charity of BC and the work you and other performers like country musicians like Todd Richard and Jeff Johnson on the song Follow Your Heart?

RB: The Children’s Charity event was very special to me. I was contacted by Todd & Jeff to come in and be a part of it. I joined a handful of other country artists from the BC area. I was fortunate to sing a verse on the track and be a part of the experience. It was for an amazing cause.


TCS: What does the short and long-term future look like for Rod Black?

RB: I’m truly blessed and thankful for every day that I’m still on this earth. Time will certainly tell where this journey takes me but no matter the twists or turns, I remain dedicated to the memory of my dad who always wore black and did what he could to help others along the way. Equally, I am committed to my mom and sisters for believing in me as I continue to move forward.

Once again, I am just appreciative of anybody who will listen to my music and attend the shows. I’ve played in front of 20,000 people and I’ve played in front of 5. I will always put the same energy into every show no matter the numbers placed in front of me.

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Zeb Christensen: Screaming For Silence

Written by: Frank Iacono

zeb-christensen-header

Hard-hitting rock, heavy breakdowns, and an energetic live performance that never stops entertaining the crowd appropriately describes Zeb Christensen’s Omaha Nebraska-based band named Screaming For Silence. Over the last three years, they have toured nationally and played over four hundred live shows from coast to coast. With that, his band has continually captivated audiences across the nation, gaining new fans during each show at every stop.

During Screaming For Silence’s hectic 2013 touring schedule, they were rewarded with a sponsorship opportunity promoting PRS’s new line of S2 guitars. In 2014, they spent the year touring and recording their first full-length studio album. Their new material was recorded in North Hollywood, California at Grey Area Studios with producer Erik Ron, who has also worked with Motionless In White, We Came As Romans, and New Year’s Day.

With head banging guitar riffs, intense drums, and melodic hooks containing in your face lyrics the members of Screaming For Silence have created their own unique sound. The first single off their self-titled debut is aptly named “The King Is Crowned” garnered radio play across the country and peaked at #29 on Billboard’s Indicator chart. In May of 2015, they were selected by Ernie Ball as the Battle of the Bands for Rock On The Range winners. Having the right combination of talent, work ethic, and road experience they are poised to explode onto the rock scene in 2016.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Zeb Christensen, the lead vocalist of Screaming For Silence, and asking him a few questions about his musical influences, his songwriting and recording process, his upcoming tour schedule, and his band’s new album Screaming For Silence.

Q&A Session

The Creative Spotlight: At what age did you first realize that you wanted to be a musician and whom or what would you say inspired you?

I have always been into music. I’ll never forget the first rock concert I went to which was an outdoor festival. The sun was out and the music was loud I loved it! After seeing all of the energy and emotion that the bands were giving I told myself I wanted to do that! I’ve been inspired by so many musicians. Corey Taylor, Johnny Cash, and Eminem. I like everything; if it catches my ear I dig it.

5-25-2016 1-13-40 AM

TCS: For the benefit of those who are not familiar with Zeb Christensen or Screaming For Silence, how would you describe your musical genre?

We are a five piece Hard Rock band from Omaha, NE. We have been touring nationally for about four years playing over 400 shows in that span. We released our first full length album in 2015 that is self-titled.

The Screaming For Silence band lineup consists of:

  • Zeb Christensen – Vocals
  • Danny Irwin – Guitar/Vocals
  • Casey Newsom – Guitar/Vocals
  • Matt Tatroe – Drums
  • Mike Friese – Bass Guitar

Screaming for Silence Band

TCS: What famous musical artists and/or bands were among your early influences and how do you think they shaped you both as a singer/songwriter and performer?

Our musical influences are really all over the board and I think that really helped shape us as a band. We all are kind of into different genres and that gives us a little different flavor.

TCS: Take us behind the scenes in the making of your self-titled full length album entitled Screaming For Silence. What was your favorite part of its production and the most challenging from an artistic perspective?

The whole experience was amazing. Getting to work with the guys and Erik Ron on the album was such a blast. My favorite part is getting to hear all the songs come to life from nothing and then all the way to the final product. It’s something we are very proud of and put a lot work and emotion into. I would say the most challenging part of the process is picking which songs go onto the album!

TCS: Personally, one of my favorite songs off of Screaming For Silence is the lead track called “The King Is Crowned,” so can you share with us the meaning behind it and the video concept?

We knew after finishing the album that this was going to be the first single. It just had all of the elements. We wanted to make a killer video for it so we thought it would be cool to get our hometown of Omaha involved and film it at the Joslyn Castle. Aaron Gum and Tyler Yager really made this video come to life! We thought it was very fitting to film in a castle. There was a huge storm that day and our crowd still showed up in full force to be a part of it. We had a great response from it and got a lot of radio behind it. It ended up peaking at #29 on the Billboard Indicator Chart and #14 on the Under The Radar Chart. We really owe it to all of our fans that helped spread the word and would call and request!


TCS: How thrilling was it to have “The King Is Crowned” selected as the winner of the 2016 NAIRMA Award for Outstanding Song?

It was the one of my favorite moments as a band. Getting to be there in LA for the whole experience was just awesome. Rubbing elbows with people in bands we look up to and the whole environment was great. When they called our name we were in a little bit of shock I think haha. It just makes you feel like you are doing something right when someone gives you recognition.


TCS: Can you describe for us the background to the 2012 hit single entitled “Helpless” that appeared on your debut EP Relentless?

The song is about people who just can’t do anything for themselves. They are always throwing themselves a pity party and not doing anything to help the situation. People like that are really tough to deal with.


TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?

We have always had the mind set of we will play anywhere at any time. It makes for a lot of interesting shows! In the end it has also made us who we are. We are so lucky to be able to play music and perform as much as we do!

TCS: Is there a particular venue that you’ve always wanted to play? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

The only area of the country we haven’t hit is the Northwest. I can’t wait to get up there. I’d also really like to play The Machine Shop in Flint, MI. I feel like that venue has one of the best reputations in the country. I’d love to tour with Ke$ha.

TCS: Tell us about the Screaming For Silence song writing, recording, and video production process behind the song “Separate” which also appeared on the Relentless?

We actually worked with Justin Mccain of the band Through Fire from Omaha NE. He’s an amazing artist/songwriter and we were really young. He wanted to do a song together and I think we ended up doing the whole thing in a day. We hadn’t really done much recording at that time so it was awesome to get the experience with him and learn a lot.


TCS: In what ways do you market your appearances, sell merchandise, and stay connected to your fans?

We have our own website Screamingforsilence.com and you can also find us on almost every social media outlet (Facebook/Instagram/Twitter/Snapchat etc.) Also all of our music is on iTunes, Spotify, Pandora, Amazon and more!

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

I always try to plug bands that are up and coming like us. We just did a lot of touring with some bands that are killer like Guns Out At Sundown, Poynte, Sleep Signals. Also a lot of our good friends just released new music or are about to like Blameshift, 3 Pill Morning, and Another Lost Year.

TCS: What does the short and long-term outlook look like for Screaming For Silence?

This summer we are doing just mostly festival stuff. Rocklahoma, Rock Fest (Cadott,WI). I’m really looking forward to Locofest in Algona, IA and headlining a new festival in our hometown called The New Generation Music Festival. You can find all of those dates on our website. Then we are heading back to the studio in August to make a new album!

Song List on House of Glass (2017)

  1. House of Glass
  2. Long Way Up
  3. Beetlejuice
  4. Buried Alive
  5. Worth Fighting For

Song List on Screaming For Silence (2015)

Screaming for Silence

  1. Disgrace
  2. The King Is Crowned
  3. Varsity Blues
  4. Hero to Zero
  5. Cutting Ties
  6. No Way Out
  7. Calling Your Bluff
  8. Infested
  9. Don’t Give In
  10. Fly Away

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Tony Trujillo: Beyond Today

Written by: Frank Iacono

Beyond-Today-Tony-Trujillo

Beyond Today, a hard rock band, started with Guy Johnston, Cory Burke, and Tony Trujillo in June of 2013 in the Lewiston, ID & Clarkston, WA valley areas. Within just a couple weeks of beginning the project, Beyond Today had already written a handful of songs that were ready to be recorded. They chose Amplified Wax Recording Studio in Spokane, WA as their production destination.

Beyond Today completed recording their debut EP in just 2 days. Once they finished the process, they added their forth band member, Vaughn Knoeppel, and started playing shows in Palouse, ID, one of which gathered over 2,000 attendees.

Beyond Today made a name for themselves in their hometown of Lewiston, ID with the early release of their song “Colors” on their local rock radio station Z-Rock 96.5 FM. The song was selected to be a part of the Z-ROCK KOZE Cage Match against big name acts. They won all 5 nights in a row securing their spot in the Z-Rock Hall of Fame. Once their debut EP was released in October of 2013, they started to pick up even more ground, with requests to have them play all over the Northwest. To that extent, they won 2nd Place at The Gorilla Music Battle of the Bands Finals in Spokane, WA.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Tony Trujillo, the bassist and backing vocalist of Beyond Today, and asking him a few questions about his musical influences, his songwriting and recording process, his upcoming tour schedule, and his new album The Artificial Heart.

Q&A Session

The Creative Spotlight: How did you come up with the band name Beyond Today?

Beyond Today started back in June of 2013 in the Lewiston, ID & Clarkston, WA valley. Guy Johnston (our lead vocalist) and I were in a previous project together. We had, at the time, booked studio time to record a handful of tracks with that project but we switched gears to lean more towards the rock side of things, wanting to get that energetic live show aspect going rather than the lighter “indie” stuff we were working on prior. With that studio time already booked, which was only a month out, we realized we needed to get some songs done quickly.

During a two week period of that short time before recording what would ultimately become the basis of our sound and identity, we buckled down and got to writing, fleshing out previous riffs, and wound up finishing seven songs for our initial EP. When it came time to record, which we only had three ten-hour days to complete, we still hadn’t come up with a band name yet, dozens were tossed around but we settled on Beyond Today because it was something that just grabbed us. It was also a kind of mantra for us, as in always looking beyond today to what’s next and to push ourselves to the best of our ability to be able to continue to grow as people, musicians, and a band to get there.

Beyond-Today-Performing

TCS: At what age did you first realize that you wanted to be a musician and whom or what would you say inspired you?

I’d have to say I first realized I wanted to be a musician after seeing a Saliva/Default show when I was about 10 or 11 years old in New England. Something about the atmosphere and the energy of their performances just got my total and complete attention, from their music, to the stage presence, and the lighting and effects of the show. I’ve been involved in music ever since.

TCS: For the benefit of those who are not familiar with Tony Trujillo or the band Beyond Today, how would you describe your musical genre?

Hi, I’m Tony Trujillo of Beyond Today, in which I play bass and do the backing vocals for the band. Guy Johnston, is our main vocalist, and plays guitar and piano. Jeremy Wilcox is one of the main guitarists along with Paul Nims, and Tim Thornton is the man on the drum throne.

Beyond Today’s genre can be classified as Rock/ Alt. Rock/ Hard Rock/ Post-Grunge. We get compared a lot, with our similarities, to; Shinedown, Seether, Theory of a Deadman, Killswitch Engage, Saint Asonia, Breaking Benjamin, and many others which I can’t quite recall off of the top of my head. Those ones we certainly hear more often than not though.

Beyond-Today-The-Band

TCS: What famous musical artists and/or bands were among your early influences and how do you think they shaped you both as a singer/songwriter and performer?

I followed a lot of the 90’s and 2000’s rock, hard rock, and metal bands growing up. Some of my favorites were Metallica, Ozzy, Papa Roach, Fuel, Chevelle, Korn, Disturbed, Crossfade, Linkin Park, 3 Doors Down, AFI, Cold, Theory of a Deadman, Default, Saliva, Filter, Big Wreck, Thornley, Deftones, Soundgarden, Thousand Foot Krutch, Pantera, Anberlin, Jerry Cantrell, Alice In Chains, and Three Days Grace, just to name a few. Music is almost all about listening, and I certainly learned a lot listening to those bands. A lot with phrasing, how notes move together to create the triads and chords used in constructing songs, and how syllabic rhythm played a role in vocal lines, melody, and lyrics.


TCS: Take us behind the scenes in the making of your new full length album entitled The Artificial Heart. What was your favorite part of its production and the most challenging from an artistic perspective?

We started the writing process on the album back at the end of 2014, and started the recording process in March of 2015. This album was a lot of fun for us as a band. We wanted to feed off of the response we received from our EP namely with our song “Colors”. We wanted to build upon what we did with that and create some more high energy in your face kind of rock in our own way. We also re-recorded some of the older tunes to match the sound we were originally going for had we not been cut short on the recording time in the beginning of the band. That made the album full length with thirteen songs. It was quite the feat for us, but was always a goal we had, to get a full length out to really showcase all of the different songs we have.

My favorite part of the album recording process was the production of it. After the “scratch tracks” were recorded we really got to dive in and add things such as effects, harmonies, strings, and other interesting sounds that made the songs really stand out and become more and more personal to us. The challenging part was finding “that” sound with guitar tones and making them really punch. Luckily we came across the amps by the name of Kemper Profiling Amplifiers. Which allowed us to get the sounds we were after, making that larger than life guitar sound that we were after.

Beyond-Today-The -Artifical-Heart

TCS: Personally, one of my favorite songs off of The Artificial Heart is the title track called “The Artificial Heart,” so can you share with us the meaning behind it and the video concept

The concept behind the song “The Artificial Heart” was from the viewpoint of falling in love with someone but they didn’t feel that they were good enough for you, so you’d wait as long as you could because you knew that a relationship with them could really be something great if not wonderful, and trying your damnedest to help them see themselves in a better light as it were, but sometimes the ‘waiting’ can cause too much pain on both sides. The video that Jimmy did was kind of out of the blue, we already had some ideas for one that we would shoot, but he did one for our song “Starlight” that was pretty cool. He made the video for “The Artificial Heart” and we thought it was a pretty cool interpretation.


TCS: Can you describe for us the background to the hit single entitled “Stay” that also appears on The Artificial Heart?

“Stay” is another one about a snapshot in a relationship, in where you first meet the person, and just want to really stay with them and lose yourselves in each other. It’s about that moment. That first sight kind of aspect.


TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?

One of the strangest places I’ve played personally was during a show at night outdoors, when a torrential rain storm struck and soaked just about every piece of gear, but the show went on, until it cut the power. It was pretty fun, except replacing the equipment afterwards.

TCS: Tell us about the Beyond Today song writing, recording, and video production process behind the song “Sunburnt Cradle”?

That one was just a song we wrote quickly that had a really good feel to it. The lyric video I made in after effects. I actually do all of the graphics and things in that nature for the band. Saves us a lot of money not having to hire out.


TCS: Is there a particular venue that you’ve always wanted to play? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

One venue that I’ve always wanted to play is the Whiskey a Go Go in West Hollywood, California. I’d love the opportunity to play with the likes of Victor Wooten, Marcus Miller, or Stanley Clarke. They are some killer bass players.

TCS: In what ways do you market your appearances, sell merchandise, and stay connected to your fan base?

We try to look as professional as we possibly can. We make attention grabbing graphics and sell interesting one of a kind merchandise items, including dog tags, shot glasses, leather wrist bands, and other knick-knacks.

Beyond-Today-Merch

Additionally, we stay connected to our fans at shows and online media via the following:

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

Definitely one band everyone should check out is a band out of Tennessee called Skytown Riot. We toured with those guys back in 2014, My favorite song by them would have to be “Runaway Princess” or “Soul or System”.


TCS: What does the short and long-term outlook look like for Beyond Today?

We’ve got some really cool shows planned for this summer. In June, we are headlining The Knitting Factory in Spokane, WA. Later this Summer/Early Fall we plan to go into the recording studio and do pre-production on the next album which will be out spring of next year. We also have some other very big things in the works that we’ll be announcing later on, as well as some music videos. You’ll just have to come check out what we got coming up.

Song List on The Artificial Heart (2016)

Beyond-Today

  1. Break Me
  2. Aftermath
  3. Where We Go
  4. Stay
  5. Colors
  6. Going Back
  7. StarlightT
  8. The Divide
  9. Silver Tongue
  10. Ghost
  11. Inside the Fire
  12. The Artificial Heart
  13. Blackbird

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Kick It Out: A Tribute To Heart

Written by: Frank Iacono

Kick-It-Out-A-Tribute-Band-Logo

Have you ever wished you could experience the masterful voice of Ann Wilson, the craftsmanship of guitarist Nancy Wilson, and the rest of the legendary Rock and Roll Hall of Fame group hailing from Seattle, Washington known as Heart? If so, then Kick It Out A Tribute To Heart, based in the Philadelphia, Pennsylvania and South New Jersey area, featuring long-time friends Sandy Hall and Susan Salmon is a must-see experience for you!

Kick It Out is a tribute band that was born out of a sincere respect, admiration, and love of Heart and their incredible and timeless music. As fans, all the members of Kick It Out have followed the Wilson sister’s careers since the early 1970’s. As musicians, the band feels passionately about performing Heart’s music with authenticity and integrity.

Kick It Out, a collection of seasoned musicians and performers experienced in both national and international music communities, is committed to providing all the power and adrenaline of a Heart concert while always staying true to the soul and magic of their unforgettable songs. For those eager “to keep the love alive”, it’s an experience guaranteed to leave audiences thrilled, emotionally engaged, and moved.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Sandy Hall, Susan Salmon, and Joe DeLuca from Kick It Out A Tribute To Heart and asking them a few questions about their musical influences, their career as a tribute band, their set list, and their past and upcoming performances.

Q&A Session

The Creative Spotlight: Can you introduce us to the Kick It Out A Tribute To Heart lineup and share with us how you decided on the band name?

Kick It Out: We were throwing around some Heart song titles as names and many of them had already been taken by other Heart tribute bands all over the country, so our guitarist Billy Salmon thought that Kick It Out would be a good band name. The song “Kick It Out” appears on the Little Queen album.

The Kick It Out A Tribute To Heart lineup features:

  • Sandy Hall — Lead Vocals
  • Susan Salmon — Electric & Acoustic Guitar, Mandolin, and Background Vocals
  • Billy Salmon — Electric Guitar
  • Mark Evans — Bass Guitar, Acoustic Guitar, and Background Vocals
  • Joe DeLuca — Keyboards and Background Vocals
  • Ritchie DeCarlo — Drums and Background Vocals

Kick-It-Out-A-Tribute-To-Heart

TCS: So how long has Kick It Out A Tribute To Heart been playing together and how did you get started?

KIO: We were out performing during the Summer of 2009. I started talking to our original bass player Chris Hall and Jeff Gordon (former KIO drummer) who I have known since my teenage years and Susan Salmon (KIO guitarist) that I knew from Archbishop Ryan High School believe it or not about forming this band at the end of 2008. I believe we started talking about it after I saw Heart perform at the Susquehanna Center in Camden NJ with Journey and Cheap Trick. I thought…you know…I would LOVE to do a tribute to Heart and I know exactly who would be the perfect “Nancy”….Susan Salmon! Wow! I can’t believe it has been THAT long! I have always been and still am a BIG Heart fan. Moved and inspired by their music ever since I heard the album Dream Boat Annie. Ann and Nancy Wilson were a big inspiration and reason why I started singing professionally. It was the love of and connection to their music really. The music is challenging and vocally like a master vocal class. It takes a lot of stamina, power, and control to sing those songs for up to 2 hours.

Kick-It-Out-A-Tribute-To-Heart-Ann-Nancy

TCS: At what age did you become interested in music? And, who or what inspired you to pursue a career as musicians?

Sandy Hall: I was in grade school, like maybe 3rd grade and I fell in love with music. I remember singing Karen Carpenter songs, The Beatles, Elton John, The Who, Jefferson Starship, and of course HEART. I would say that Ann and Nancy Wilson, Pat Benatar, David Bowie, The Who, Led Zeppelin, The Pretenders, and Stevie Nicks all of them inspired me to purse music as a career.

Susan Salmon: I became interested in music at the age of 3. My mother was a piano teacher and she inspired me to pursue a musical career.

Joe DeLuca: For me, my love of music began when I was 10. I remember listening to my sister and brother’s 45’s of The Beatles, 3 Dog Night, The Doors, Motown, and etc.


TCS: Sandy did you think early on that you sounded like Ann Wilson or was it something that you discovered over time?

SH: Early on I actually felt and identified with Karen Carpenter’s tone and vocals in the alto/lower vocal register. Then when I started to really wail and rock out songs like Jefferson Airplane’s “White Rabbit”, Led Zeppelin’s “Black Dog”, and Bette Midler’s version of “When A Man Loves A Woman” from the movie The Rose…well then I really started to appreciate the female rock vocal and of course I started singing Heart songs like “Magic Man” and “Crazy On You” and I really did identify and connect to the upper range and power vocals of Ann Wilson. If you listen to those songs….you almost hear that lower warmer tone in the lower range and then the build up and jump to the full voice wailing. It was a combination of the Karen Carpenter tone and then some Robert Plant wailing in the upper range. It was challenging, yet very moving on a deep, deep low in the gut level kind of soul connection vocally. There is something really freeing when you sing in a strong full voice in that higher vocal register. Certainly there is an adrenaline high there. I like a challenge so naturally I felt that singing Ann Wilson’s songs would help me become a better vocalist.


TCS: Why do you guys think tribute bands have become so prominent in the past ten years or so? And, has Kick It Out A Tribute To Heart ever been criticized for being a tribute band?

KIO: Well, some artists like Queen, Pink Floyd, Genesis, Led Zeppelin are just not touring anymore or very infrequently and there is a desire in people to hear the music live in a nostalgic way and more frequently. You know recreate the feeling of that music that you fell in love with as a kid in a more intimate way….in a small venue instead of a large stadium in the nose bleed seats where you are looking at the artist over a big projected screen. Personally, I think people want to hear the music that they love live and in person and feel the connection to the music during a live performance. Tribute artists like Kick It Out channel the original artists during a performance in a smaller more accessible intimate level at a venue where they feel more connected to the artists and also at a more affordable cost as concert tickets are through the roof.

As for being criticized as a tribute band. No, Kick It Out has not been criticized for being a Heart tribute band. Although I know there is a school of thought out there that musicians should only perform their own music. My answer to that is that classical musicians in a way are playing covers and not their own original music and the very, very best are playing a piece as close to the original written music as humanly possible. So in a way that is what tribute artists do also. Ha!! And, I have to say that people do have a very high expectation of you when you put it out there that you are paying a tribute to what many consider the greatest female vocalist of this generation. That’s a lot of pressure actually. You can feel them checking you out and ready to put you down. I do my best to do a respectful tribute. Not an imitation. Of course, you want to recreate the experience for people so you do what you can to channel the original artists. A tribute is by definition an act of gratitude, affection, respect, and honor.


TCS: Let’s talk about the music for a moment. When you’re in a tribute band, obviously your music will be picked apart and compared to the original. So how did Kick It Out A Tribute To Heart sculpt its sound and its stage performance?

KIO: I think it comes very naturally for us. We all connect to the music and love it so playing it was easy even though the songs are challenging. When you love something you do your best to play it well. The stage performance is a combination of who we are and our own individual personalities with the understanding and intention of “channeling” the energy of Heart. You want to channel that energy and essence so that the audience can “feel” the songs as if they were at a Heart concert. But I do really feel that we all are infusing our own individual presence on stage in our performances. Again….it’s not an “imitation or impression” of Heart and their music …it’s a “tribute”….our tribute.

TCS: What do you guys feel is the hardest aspect of re-creating a Heart show?

KIO: For me it’s the stamina and power needed sing up to 2 hours during each show. It takes a lot of vocal control and lung power. I also feel that we would all agree that it is frustrating if you don’t have a good sound tech who knows the songs and they don’t turn up the guitars when they need to be up front and also for me it is essential to have good in ear monitor balance and mix as I depend on that to sing in pitch and not blow out my voice. If all that is in place…it’s a blast and not hard at all.

Kick-It-Out-A-Tribute-Band-To-Heart-Peforming

TCS: What do you feel sets Kick It Out A Tribute To Heart apart from other Heart tribute bands?

KIO: There is an aspect to my voice that has a similar timber and tone on these songs and power and energy on the high notes. Of course there is a visual resemblance that Susan and I have to Ann and Nancy. Additionally, Susan can actually play Nancy’s parts on both the guitar and mandolin whereas many Heart tribute bands don’t have that . She is a top notch musician. The band is made up of seasoned professional multi-talented musicians with excellent stage presence and high energy. Billy has that early Roger Fisher vibe going on too and is an excellent player and performer. Same goes for the other members, Mark Evans is a top notch pro all the way around, Ritchie DeCarlo, and Joe DeLuca also…pros with great attitudes.

TCS: Have you played with any other Heart tribute bands and if so what type of reaction have you received?

KIO: No. We have not.

TCS: How many gigs does Kick It Out A Tribute To Heart play annually and what and where are the venues in which you’ve performed?

KIO: We are a specialty act so we don’t play every week. On average we play about 10 to 12 good gigs a year. We don’t want to over saturate the area and Heart also is actively touring every year. We want to give people the music when they miss a Heart show or when they are not touring. All of us are also all involved in other music projects and we try and balance all of that out. We have played as far south at Virginia and north up to Boston and in between. We love outdoor music festivals, amphitheaters, casinos, and theaters like Delmarva Bike Week, Penny Pack Park, Sellersville theater, Scottish Rite Theater, Showcase Live in MA, Delaware Park Casino, Hollywood Casino, Wildwood Crest Concerts. In 2015, we played at the Burlington Amphitheater and La Costa in Sea Isle, New Jersey.

TCS: What are the most requested Heart songs at your shows?

KIO: The most requested Heart songs during our shows are:

  • ”Barracuda”
  • ”Crazy On You”
  • ”Alone”
  • ”Never”
  • ”What About Love”
  • ”Magic Man”


TCS: Has Kick It Out A Tribute To Heart ever performed internationally? And, if you could perform in any venue in the world right now, national or international, where would that be and why?

KIO: No we have not performed internationally. We would though for the right situation and venue. There is a great festival in Akron, Ohio called Lock 3 that would be awesome, perhaps a cruise like Monsters of Rock (MOR) which our bass player who is also a front man/writer, Mark Evans just played MOR with his original band Heaven’s Edge. We love big stages, big crowds…anywhere where there are people who love Heart music and where the stage and sound are professionals. Why? Well it is an unbelievable high to play to a huge crowd….the energy is infectious and we would get to travel and see the world.

TCS: Of the songs that Kick It Out A Tribute To Heart plays from Heart’s extensive library which are your most and least favorite? Equally, is there a song from Heart that you guys really love that is not included in the set currently? If yes, then why.

KIO” We love “Crazy On You” and “Rockin’ Heaven Down”. The song “Alone” is also great and very moving and powerful too. I don’t think that we picked up songs that we didn’t like. Then again, we love them all. Ha! I would love to do “Mistral Wind”. Very powerful, magical song we just have not had a chance to add it to the set yet. The great thing about this band is that we play these great songs that we love.

Kick_It_Out_A_Tribute_To_Heart

TCS: Individually, what’s your favorite Heart song of all time?

SH: For me it is “Crazy On You” from Dreamboat Annie.

SS: It is really hard to choose a favorite. It switches all the time. Right now, the song, “How Deep It Goes” from Dreamboat Annie plays in my head. Before it was “Sylvan Song” and “Dream of the Archer” both from Little Queen. I like the more obscure songs that show a lot of Heart.

JD: I really like Heart’s “Who Will You Run To” from Bad Animals

TCS: As a collective group, the band, what has been the toughest challenge you’ve faced to date, and do you think it made you stronger as performers?

KIO: The toughest challenge is always with sound and mix. The outdoor shows can be challenging in that way as wind and weather can really affect how it all turns out. We try and go with the flow and do the best show we possibly can no matter the obstacles.

TCS: How do you market Kick It Out A Tribute To Heart songs, merchandise, and appearances?

KIO: To stay connected with our fans, we market our songs, merchandise, and appearances on:

Kick-It-Out-A-Tribute-Band-To-Heart-Stage

TCS: Has anyone in Kick It Out A Tribute To Heart met any of the members of Heart? And, how thrilled was the band when Heart was inducted into the Rock and Roll Hall of Fame in 2013?

KIO: We were thrilled of course! It’s about time they were recognized for their contribution to music as musicians and women! I (Sandy Hall) have met Ann and Nancy 3 times now. The first time was back in the 80’s when they came to Philadelphia on tour. I got to go back stage and meet them and hang for a while talking with Howard Leese. That was a really cool experience and a real spontaneous hang. I was so star stuck and shy and didn’t say very much to Ann and Nancy except “you are so great”. The last two times were recently during their organized VIP Meet and Greet thing before the show. During one of those two sessions both Susan and I met them together. They were nice.

Kick-It-Out-A-Tribute-Band

TCS: Besides Kick It Out A Tribute To Heart, if you could play a set with any artist alive or dead who would you choose and why?

SH: I would love to play/sing with Ann Wilson, Robert Plant, and John Lennon all were inspirational to me.

SS: Probably Jeff Beck. I love the feel of his playing.

JD: I would love to play to play a set with Tom Petty, Leon Russel, Joe Cocker, Alice In Chains, and Soundgarden.

TCS: What’s the short and long-term future look like for Kick It Out A Tribute To Heart?

KIO: We just want to keep doing what we are doing which is having fun playing songs that we love with great band mates who are also family and friends. We would love to do more of the larger spring/summer venues where the people go crazy for the music!

TCS: What advice do you have for new tribute bands trying to get established?

KIO: Do it because you love and connect to the music. The money is secondary and won’t always be there. Get a good agent or person in the band that books you in the right venues. Don’t over saturate your audience locally. Be very selective about what venues you play.

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

The Creative Spotlight: 2015

Written by: Frank Iacono

2015-Spotlights

The end of the year causes us to reflect, and in this spirit, I thought it would be fun to recount The Creative Spotlight blog posts from 2015. When it comes to The Creative Spotlight, the goal is simple. Introduce readers to the best local and national musicians, artists, actors, business owners, motivational speakers, photographers, and other published authors. Consider The Creative Spotlight as the ultimate destination for unearthing a wealth of undiscovered talent, reading exciting interviews, learning helpful tips and tricks, and news that you can use…plus lots of great ideas for enriching your life and enjoying yourself.

As we welcome 2016, we want to make sure that you did not miss any of the 18 articles from 2015. This blog includes a complete, categorized list of The Creative Spotlight posts that were published in 2015.

January 2015

Marilyn Russell: Morning Show Host

March 2015

Chris LeGrand: Rolling Stones Tribute Band

April 2015

Neill Byrnes: Draw The Line Aerosmith Tribute Band

Shaun Benson: Actor and Director

May 2015

Carolyn Bennett-Sullivan: Author

June 2015

Dawn Botti: Singer and Songwriter

July 2015

Joanna Maria Morales Miarrostami: Artist

Sheila Brown: Summer Nites Bed and Breakfast 

August 2015

Travis Clark: We The Kings

Duffer’s: Restaurant and Ice Cream Parlor

Ages Apart: Alternative Rock Band

Jack Morey: Morey’s Piers

Derek Crider: Singer and Songwriter

September 2015

Everything Falls: Modern Rock Band

Aandra Bohlen: Business Coach

October 2015

Michelle Antonucci Smith: Zumba® Fitness Instructor

November 2015

Meisha Johnson: TV Personality

Karen Mansfield: Singer And Songwriter

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Karen Mansfield: Singer And Songwriter

Written by: Frank Iacono

Karen-Mansfield-Mesa-Promo

Singer-songwriter Karen Mansfield, long considered a mainstay of the legendary Asbury Park, New Jersey music scene, is best known for her enticing onstage presence and mesmerizing contralto vocal range.

Mansfield, who began her career as the frontperson in the 80’s all-girl punk band known as the Bleeding Knees, has been described as highly melodic and enchantingly haunting. Lyrically, she forms a strong bond with her audience by connecting through a range of deep emotions involving everyday love and relationship situations.

Over her career, Mansfield has recorded and performed with numerous national artists including, Jewel, Concrete Blonde, Whirling Dervishes, Bobby Bandiera (Southside Johnny and the Asbury Jukes, Jon Bon Jovi), Shawn Pelton (Saturday Night Live Band), Mikeal Jorgensen (Wilco), Erik Paparazzi (Cat Power), John Conte (Southside Johnny and the Asbury Jukes), John Eddie, Vance Gilbert, Johnny Thunders, and Willie Nile.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Karen Mansfield and asking her a few questions about her musical inspiration and influences, her songwriting and recording process, her upcoming appearances, and her self-titled debut six song EP.

Q&A Session

The Creative Spotlight: At what age did you first realize that you wanted to be a musician and whom or what would you say inspired you in your journey?

I was very young when my maternal grandmother would come over and sing to us and give us each a song of our own to learn and perform for the next time she’s visit. Mine was “There is a Tavern in the Town”. I remember looking forward to singing it for her and learning new songs. Her brother had been a vaudeville performer so she taught us all the tunes she’d learned from him.

Karen-Mansfield

I remember at a family party standing on a picnic table in the backyard of my Aunt and Uncle’s home, singing a song a made up, “Rock ‘n’ Roll in My Tummy”. We later figured out that I must have been 3 or 4 at the time.

Then on my 7th birthday I saw the Carpenters in concert and that was a big deal. My mom was a fan, and we had all their albums and 45’s. I think having heard the music in my home and also on the radio, then experiencing it live — also feeling some kind of connection with Karen because we had the same first name, (you know little kids think like that) — the combo of it all struck me and I’ve never been the same since. Karen was wearing a beautiful gown singing her heart out, and then she ran off stage and changed into some slacks and came out, sat behind the drum set and rocked out! I was thrilled!! I knew what I wanted to do with my life since that moment. I begged Santa for a drum set every year and never stopped singing and making up songs.

I believe that my father’s Grundig stereo console from Germany was instrumental in my early musical development. I remember my parents showing me how to turn it on and use the turntable. I remember feeling the warmth and hearing the hum of the tubes, playing LP’s and singles, dancing around the living room, singing and acting out the words to every song. I loved it! Certainly my favorite pastime as a youngster.

We had a piano in our living room that I used to color on the keys with crayons. I remember trying to sound out familiar melodies. My parents didn’t play, but my dad knew enough to teach me, “Heart and Soul” and “Nickelodeon”. It was tough playing though, when everyone else wanted to watch TV.

Karen-Mansfield-Performing

Later when I was ten my dad gave me a miniature reel-to-reel recorder he hadn’t used in years. We went to Radio Shack and bought a cheap little mini microphone. He showed me how it worked and I fell in love with recording, making up characters and songs on the spot.

Another early influence that I feel steered me into music was our family parties. My mom came from a large family with 11 siblings, and when they’d all get together they’d spend a good portion of the night singing, and having a ball. The last song of the evening was always “Side By Side”. I can recall wanting to be a part of that kind of fun and comradery, and of course, all that singing.

TCS: For the benefit of those who are not familiar with Karen Mansfield, how would you describe your musical genre?

I don’t feel I have a genre other than rock. It’s eclectic, but if I had to I’d say Retro-Pop Rock, Roots, Adult Alternative Pop, Americana, Alternative Country, Singer Songwriter. People have said I sound like Janis Joplin, Emmylou Harris, Olivia Newton John, PJ Harvey, and Karen Carpenter. I guess one would have to listen to decide for one’s self I think. I’m not aiming at any specific genre except rock. I just want to make great music.


TCS: What famous musical artists and/or bands were among your early influences and how do you think they shaped you both as a singer/songwriter and performer?

Elvis! I remember staying up late to watch the comeback special. I was pretty young, but I do remember! I’m pretty sure he influenced “Rock ‘n’ Roll in my Tummy”.

I loved Dinah Shore, Hee Haw, Partridge Family, and the Osmond’s; honestly anything music drew me in. Since there were six of us Mansfield kids, I wondered why we weren’t in a band with a TV show!

In the late 70’s my brother ordered a bunch of records from K-Tel for $.99 each. One of the albums he received was called “British Gold”, a compilation of hits like “Bus Stop” by the Hollies, “The Letter” by the Box Tops, “World Without Love” Peter and Gordon, Derek and the Dominoes, Cream, The Yardbirds, and more. I loved it. Since we didn’t have a ton of records I’d play that one and the Elvis greatest hits record and Linda Ronstadt over and over.

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We used to spend a lot of time at my Uncle Rocky and Aunt Cherie’s and he’d always be listening to the country station 1050 WHN. I started listening in my room on a little transistor radio under my pillow; so there is that country-based influence.

I was a pretty big Donny and Marie fan as a middle schooler. Then my tastes changed as I got into high school. I absolutely loved The Doors; definitely my favorite band of all-time. I was into B-52’s, Led Zeppelin, The Who, early Ozzy Osbourne, and Bruce Springsteen. I later got into Patsy Cline and Billie Holiday.

TCS: Take us behind the scenes in the making of your 2014 self-titled EP Karen Mansfield. What was your favorite part of its production and the most challenging from an artistic perspective?

My favorite part of making this record was working with the guys I chose for the project. Rob Tanico is just bursting with creative genius and loves music possibly more than anyone I’ve ever met. I knew I was in good hands with him as producer and musical director. We had a magical day at Shorefire Recording Studios in Long Branch, NJ laying down live tracks for bass, drums, and guitar. Most tracks were done on the first or second take. I love that room and Joey DeMaeo is solid gold. I felt that having P.K. Lavengood on guitar, David Halpern on drums, and Rob on bass it was going to be a great studio experience and it certainly was. They’re all of course so familiar with each other, having worked together for so many years; P.K. and Dave playing with John Eddie and Rob and Dave with Mr. Reality and Highway Nine. The energy was great and I felt that everyone was equally excited for the project.

The only challenge I had was being patient waiting for the rough mixes. Rob put a lot into this project and played nearly everything that wasn’t laid down on that first day in the studio. I consider myself a pretty patient person but the excitement of completing this album proved to the contrary.


I had the best artists working on the photos and album artwork. I had such a great experience working with my art director Barbie, who just happens to now be my sister-in-law. I couldn’t be happier with Steve Greenwell’s job mixing it, and Turtle Tone with a fine mastering job. I enjoyed working with everyone at Disc Makers and CD Baby.

It was all very exciting and encouraging.  There was a bit of panic and juggling for me to make it all happen, but I’m very happy for the experience and can’t wait to do it again.

TCS: Personally, one of my favorite songs off of that EP is the track called “I Know You Know,” so can you share with us the writing process and the meaning behind it?

Actually, this was one of those songs that writes itself and it the whole process takes less than 15 minutes. I’m not sure where the inspiration for this song came from but I remember it fell upon me while I was in the studio recording a record in the early 90’s. I guess I wanted to write about that electric intensity, that magnetic pull of attraction, and the waiting, knowing after the first kiss, etc., you might get that feeling back. Not like it was prior. So, you wait, in the excitement and the desire. You leave it up to other person to make the first move. Maybe you’re not sure they’re feeling what you are. It’s the buzz of sensory overdrive and the anticipation of that magic moment when you succumb to the inevitable.


TCS: Tell us about how rewarding it was to serve as the frontperson for the all-girl punk band Bleeding Knees and how it prepared you for your solo career?

I enjoyed my time thoroughly during the Bleeding Knees days. I honestly didn’t know what I was doing. I had my fist gig booked before I even had enough songs for our set. I was shy and hid behind bangs that fell into my eyes. It was a great time of writing about whatever came to mind, what I thought was funny, or lame, and what would shock people. Honestly we were out of control. I barely knew how to tune my guitar. We were funny! People loved coming out and getting the joke! Checking out what obnoxious thing would we do next. The songs were funny, crude, silly and we had a blast. I recall someone after one of our shows at the Green Parrot in Neptune, NJ saying we reminded them of Pebbles and Bam Bam from The Flintstones but with cuss words. It was a lot of fun. The other members were still interested in coming up with more outrageous and raunchy material when I felt it was time for me to take things a bit more seriously as a songwriter.

I never wanted to perform solo and was waiting to come across players who’d want to back me up. One day my friend Alex Goetchius called asking me to open for his band, Piece of Wood, at the Brighton Bar in Long Branch. He encouraged me to play solo. I’d never turned down a show before and although I was petrified I did the show anyway. So, I feel fronting the Bleeding Knees taught me that I can get out there no matter what and connect with the audience whether it be with a band or by myself with an acoustic guitar. I guess I was ok at it since I ended up being nominated 9 times and winning 3 Asbury Park Music awards in the “Top Female Solo” category.

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TCS: Can you share with us some details about your time performing with numerous artists such as Jewel, Bobby Bandiera (Southside Johnny and the Asbury Jukes and Jon Bon Jovi), Shawn Pelton (Saturday Night Live Band), Mikeal Jorgensen (Wilco), and Concrete Blonde just to name a few?

I opened for Jewel at the Saint in Asbury Park just about six months before her album went platinum and everybody knew who she was. She was not feeling well that night so she stayed in her van until her performance. Great voice, though she did a bit of yodeling, which was kinda different for Asbury Park. I was impressed.

My sister dragged me out to see Bobby Bandiera on a Wednesday night at Cheers in Long Branch circa ’89 or ’90. On his break we were introduced and immediately he asked, “ya wanna sing?”. This became a weekly occurrence, never rehearsed, always a ton of fun. He’d call me up to do “I Got You Babe”, “Love Potion #9”, “Dream Lover”, “Me and Bobby McGee”, “Stop Dragging My Heart Around”, and more. It was wild fun. Bobby is fantastic.

It was certainly the place to be on Wednesday nights. I think I stopped making the scene in ’96, around the time I had my daughter but I’ll always remember how he encouraged me and included me.

Shawn Pelton played with John Eddie and I’d known him from the local music scene and from playing with P.K.’s band Without Fear, also at Cheers. Then in ’92 or ’93 when I was making a record in Red Bank we called in Shawn to play on most of the 11 tracks. He’s the best!! The album has never been completed but one single entitled “Jessie” was released and is available still on ReverbNation. He’s such a phenomenal player and so amazing to work with!

Mikael Jorgensen and Erik Paparozzi were in a local early ’90’s band which I absolutely loved, called Lizard Music. I met them at an open mic at the Ink Well in West End and fell in love with them! I requested them on all the shows I did and we became great friends. We had a lot of laughs and we encouraged and believed in each other’s music. It was a sweet time!! Then when their bass player, Chris Guice, was in California playing bass for a kids show on Nickelodeon, “You Can’t Do That On Television”, Mikael, Erik, and I formed as “Karen’s Lizard” as per request by Brighton Bar promoter Jacko Monahan. We did a few shows mixing up the set with half my tunes and half Lizard Music tunes. The guys had such amazing harmonies and I just loved hearing my songs with their added magic.

During the early to mid-90’s I had many opportunities to open for national acts. One of the most exciting of those times was when I got the chance to open for Concrete Blonde during their Bloodletting tour. The show was at the Fast Lane is Asbury Park. The place was packed and the audience was wild, and super receptive to me and my acoustic guitar. Johnette Napolitano and the guys were awesome!!

TCS: Tell us about the background story behind another favorite off of your new EP entitled “Your Lies”?

The title says it all, “Your Lies”. I think it’s about the affect the lies have on the broken lover, the hopelessness of the situation when one is addicted to the lies of unhealthy love. I’ve found sometimes there’s a dream that underneath all the falsehood there might be a person of substance who could be capable of something real and good and pure. It’s a tremendously sad song.


TCS: Share with us your experience in playing at the Light of Day Festival in January of 2015?

My performance for Light of Day 2015 was at Asbury Lanes, in Asbury Park. My band was Rob Tanico on bass, P.K. Lavengood on guitar, Billy Siegel on Keys and David Halpern on drums. We played for a half an hour and did mostly all the songs on the EP, plus a cover of Dolly Parton’s “Joleen”. It was one of the best shows we’ve done so far. It’s always such an honor to perform for Light of Day and to be a part of finding a cure for Parkinson’s and related diseases.

TCS: How thrilling was it for you when the Asbury Press wrote an article featuring you entitled “Jersey Shore Treasure Karen Mansfield Returns to Scene”?

Oh, it felt great! I’ve felt loved for a great many years now, having been a part of the scene for so long.

I took a long break to be with my daughter and try other career options. As my daughter grew up I felt I was being called back to my music. My return was certainly greeted with a warm welcome and I couldn’t be happier. I’m very grateful to be welcomed back to the music community with open arms. It’s like having a second family! Certainly blessed to have all the live and support I continue to receive!!

TCS: From your new EP, please describe for us the writing and recording process behind the single entitled “Just A Man”?

”Just a Man” came out of me talking to a friend about a guy I was hung up on, and her being sick of me going on and on describing all of his wonderful attributes. She finally looked and me and said, “he’s just a man!” Kinda like, get over it! Of course my response was, “yeah, but he does it to me”. Not all of them do so I thought it was worth putting into a song.

The song wrote itself. Rob came up with the early Rolling Stones feel for the recording. It’s one of my favorites to play live; and audiences connect with it too.

When someone “does it to you” it feels great, and that’s what this song is about.


TCS: After all these years of chasing your musical dreams, what do you feel keeps you motivated to continue recording and performing?

I am motivated by the desire to reach the listeners who connect with my writing and my performance. I don’t know that I’ve done that to the best of my ability yet, at least not on the scale that I believe I can. Also, I feel this is a calling and to turn around at this point would just not be acceptable. Most of all, I continue because of the love of music. I’m still that little three-year-old getting goosebumps from watching Elvis in that leather suit, teaching us all how it’s done. I’m blessed to feel what I do every time I make folks happy with my music.

Lastly, the most important reason is to teach my daughter to follow her dreams, to be true to herself no matter what anyone says. To find out what brings you joy and to do it with all her heart, soul, and strength. To dig deep inside, work hard, and never give up.

TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?

My very first show was on ’85 or ’86, I with my friend Diana at a furniture gallery for a holiday event called “Festival of the Trees”. It was a silent auction for elaborately decorated Christmas trees. We played in front of a fancy staircase and had to move every 2 minutes when shoppers or staff wanted to come through. It was pretty awkward but we had fun.

I’ve played the 8×10 Club in Baltimore, hit my head on the ceiling trying to get on stage. Cool place though. We were there the day after Michelle Shocked.

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TCS: In what ways do you market your appearances?

I usually post my events on my Facebook Music/Band page. I also use Bandsintown, ReverbNation, and my website KarenMansfield.com. Additionally, I tweet on my Twitter account, post on Instagram, Tumbler, Pinterest, and sometimes on LinkedIn.

To stay connected with Karen Mansfield, please visit the following:

Tee shirts are on their way. And, my CDs are for sale at all of my shows and are also available on the following:

TCS: Is there a particular venue that you’ve always wanted to play either as a member of Bleeding Knees or as a solo performer? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

While in the Bleeding Knees I was content just gigging locally. I was still very shy and apprehensive in those days. Nowadays I’d like to travel to perform in cities like Nashville, Asheville, Austin, Philly, New York, where ever there’s a cool music scene, where ever I can meet my listeners. I’d like to perform in other countries as well. There are many venues I look forward to performing in! I can’t wait to play whatever venues the future holds for me.

As far as performing alongside other entertainers, I am open to whatever comes my way!

I’m looking forward to an upcoming trip to Mesa, AZ where I’ll be performing for the Mesa Music Festival November 13-15, 2015. It’s going to be a huge event with Matt Pinfield giving the keynote address at the opening ceremony.

I look forward to meeting the locals there and meeting many of the artists and industry professionals in town for the event.

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TCS: What famous song do you wish you had been credited with writing and performing?

There isn’t a song that comes to mind that I wish I’d written. Though, there are amazing songs out there, that of course, when I hear them I wish I would write a song of equal intensity, sensitivity, depth of soul, and brilliance.

I’ve always thought that I’d love to make a record like Carol King’s Tapestry. It’s got everything and it’s wonderful from start to finish.

I guess if I had to pick one song I might go with “On a Clear Day (You Can See Forever)”, because I find it so inspiring.

TCS: Name a band or musician, past or present, who you flat-out LOVE and think more people should be listening to. What’s one of your all-time favorite recordings by this band/musician?

I love J.D. McPherson. And his tune “North Side Gal” changed my life.  I also love Lucinda Williams and all of her songs, especially her album Down Where the Spirit Meets the Bone.

TCS: What does the short and long-term outlook look like for Karen Mansfield?

Short term is Mesa, AZ for the first ever Mesa Music Festival November 13-15, 2015. Then I am hopefully heading into the studio to start my next album. I’m hoping to play more music festivals, house concerts, and shows out of my hometown region.

Long term, I plan to keep making music, writing, recording and performing, and meeting great folks like you along the way.

Song List on Karen Mansfield (2014)

Karen-Mansfield-CD

  1. “I Know You Know”
  2. “No More Suffering”
  3. “Your Lies”
  4. “Just a Man”
  5. “Destiny”
  6. “Keep On (For the Sunny Days)”

About Frank Iacono

Frank Iacono Photo

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Everything Falls: Modern Rock Band

Written by: Frank Iacono

Everything-falls-band

Everything Falls burst onto the Washington D.C. metro rock scene in early 2012, touring for their debut EP Fight From Within. Fast-forward to the summer of 2015, and Everything Falls is set to release their sophomore EP Through The Storm. The new album is a collection of songs that front man Aaron Linkous wrote while touring in 2012 and in the years after while the band was relocating from Washington D.C. to northern New Jersey.

Throughout 2011, Everything Falls was just getting things started. After bringing Mike Smith on board to play bass, the duo eventually ended up working with Producer Scott Robinson at his Sonic Sweets Recording studio in Beltsville, MD. What was born there would be the band’s debut release, Fight From Within. It was released in November of 2011 and included their first mainstream hit, “Sorry To Say.” The video for “Sorry To Say” was featured on national media outlets such as Blank TV, Pure Grain Audio, The Cool TV, and Renegade Radio. In addition, Hard Rock Café, Planet Hollywood, Gold’s Gym, and Royal Caribbean Cruise Line chose to promote the single. The song was also used by nationally televised and British-based professional wrestling program, UK Wrestling Experience. Other notable hits off of the album were the singles “Come On” and “Everything That You Wanted.”

In late 2012, Everything Falls continued their promotional tour for the EP, and ultimately landed an interview with The Real Radio Show in Long Island, NY. As the band gained momentum, new opportunities presented themselves, and Linkous eventually made the difficult decision to relocate the band to the New York City metro area.

In 2013, rebuilding of the band started. Kenny Sheldon, the new lead guitarist who was discovered at one of the many auditions held in the summer of 2013, quickly found his niche within Aaron’s songs. Unfortunately, it would be another two years before the band would be fully completed, with the lineup changing several times over. In early 2015, two additional band members were brought on board just before heading into the world-renowned Barber Shop Studios with Producer Brody Greif.

Comprised of Aaron Linkous, Kenny Sheldon, Danny Rojo, and Matt Regan. Everything Falls is weathered, but not broken. “Everything Falls has accomplished a lot up to this point, but we still have so much room for growth,” said Linkous. “We’re hungry to break into the regional scene and to make our live show something that fans are lining up to see. I believe that our new EP was appropriately named. After everything that it’s taken to get back to this point, it definitely feels like we’ve been through a storm. Fortunately, that storm forged a new path for our sound and helped to solidify who we are as musicians. We’re extremely proud of our sophomore EP, and we believe the fans will agree that it was worth the wait.”

In this edition of The Creative Spotlight, I had the pleasure of interviewing Aaron Linkous, Kenny Sheldon, Danny Rojo, and Matt Regan of Everything Falls and asking them a few questions about their musical influences, their songwriting and recording process, their upcoming tour schedule, and their new EP Through The Storm.

Q&A Session

The Creative Spotlight: How did you come up with the band name Everything Falls?

Aaron Linkous: My wife, Mandy, and I share a love for hiking to waterfalls. As Mike Smith, a bassist and the first person I got to join the band with me back in 2010, and myself were toying around with many names I started to think about all of the cool waterfall names I’ve heard and seen over the years. So, I naturally just started putting different words in front of “falls” and I ended up with Everything Falls. It sounded catchy, so it stuck as our band name ever since.

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TCS: For the benefit of those who are not familiar with Everything Falls, how would you describe your musical genre?

AL: I would describe our sound as modern rock and maybe a bit of 90’s alternative. We’ve been compared to Stone Temple Pilots, Metallica, Breaking Benjamin, and a host of other bands, but we have a unique and fresh sound that sets us apart from all of those bands. The band originally started in Rockville, MD in 2010. We recorded our first EP Fight From Within throughout 2011 with producer Scott Robinson at his Sonic Sweets Studio in Beltsville, MD. We released that EP in December of 2011 and toured regionally throughout 2012.

TCS: Can you introduce us to the Everything Falls lineup and tell us what each person in the band does?

AL: The Everything Falls band lineup consists of the following (shown below left to right):

  • Matt Regan – Drummer
  • Kenny Sheldon – Lead Guitarist & Backing Vocals
  • Aaron Linkous – Lead Vocalist & Rhythm Guitarist
  • Danny Rojo – Bassist & Backing Vocals (former bassist Amriel Kissner is shown in pic)

Everything-falls-theband

TCS: How long has this current lineup of Everything Falls been playing together and how did you all get started?

AL: This current lineup is fairly new. Danny just came on board about a month ago. We went into the studio with a different bassist (Amriel Kissner), but Amriel was not interested in touring. Matt came on board in January of this year. He came in as we were prepping for our newest EP Through The Storm. He is a long time friend of Kenny and we had been talking about possibly having him out to a practice to see if he would be a good fit for the position. After the first practice I was certain that he was the man for the job. And, Kenny has been with me almost two years now. I landed him in the first round of auditions that I held in July of 2013.

Initially, I thought that I was going to be able to pull things together rather quickly upon moving to New Jersey from Maryland. I’ve been in this situation a few times over my musical career with moves from Blountville to Nashville, TN; Nashville to Rockville, MD; and Rockville to Springfield, NJ, so I knew exactly what steps I needed to take in order to arrange everything. Unfortunately, after Kenny came on board things slowed down rather drastically. I had taken on a 3rd shift job and between it and needing sleep I just didn’t have the time necessary to run the band properly. That all changed after I decided to leave that job late last year and to make music my sole career. Since then the lineup has been finalized, we’ve recorded Through The Storm and shot a video for the lead off single “Let It Go (Enemy)”, and are now gearing up for regional touring in the very near future. It’s taken some time to pull everything back together, but I feel that we have a very solid lineup now.

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TCS: Can you describe for us the song writing, studio recording, and video production process behind the lead single “Let It Go (Enemy)” from Through The Storm?

I began writing “Let It Go (Enemy)” in mid-2012. I wanted a song with a little more power to it. Something that would truly rile a live crowd up. In the studio we stuck to that live feel. We didn’t spend time tweaking every little strum on the guitar or on the drums. It was the feeling of the song that we were after and I believe we achieved that driving beat that just calls out to all of the head bangers out there. We recorded bass and drums simultaneously together. Followed with myself cranking out the rhythm tracks. We followed it up with lead guitar and vocals. It’s polished, but not overly polished and you can still sense that original energy that I imagined the song would have from the moment I started writing it. The making of the video was much the same. We planned out an excellent storyboard, but some things we did tweak on the fly. It was a rather large shoot as I think the whole video has around 15 separate actors or musicians in it. Not enormous or anything, but a rather large undertaking for an indie band that’s trying to keep to a budget. Ultimately, it turned out extremely well and I believe the audience will enjoy it upon its release. No date has been firmly picked just yet, but we’re shooting for around three weeks after the album hits the market.

 

TCS: From a song writing, studio recording, and accompanying music video perspective, can you share with us some of the background surrounding the second single from Through The Storm entitled “Daylight Takes The Dawn”?

I wrote “Daylight Takes The Dawn” (DTTD) back in 2012. It was always meant to be that song about an artist on the road missing his family. I pictured the cold weather and the long days of being away from the people that I love the most. Hopefully, most people will say that I sold that idea.

The recording of DTTD took place at Barbershop Studios in Hopatcong, New Jersey. You can find video of us actually tracking the song on our Facebook page. Quite a funny video! We had a blast though and tried to really sink our teeth into this song. It’s definitely a stand out track from our sophomore CD Through The Storm.

The video for DTTD was filmed, directed, and edited by the TV/Film department at DeSales University in Center Valley, PA. The video was filmed on location at DeSales along with home scenes shot at mine and my wife’s current Townhouse in NJ. We simply stuck to the storyline conveyed in the song and tried our best to make it as realistic as possible for the audience. The weather even helped out nicely here in NJ by dropping some snow on the ground just in time for the filming. We had a wonderful team assigned to the project and we couldn’t be any prouder of this video. Everyone should check it out if they haven’t already! Also, share it like crazy on your social platforms!!! We truly need everyone’s support.

 

TCS: Aaron at what age did you realize that you wanted to be a musician?

AL: I always sang when I was younger. If I didn’t have the lyrics to a song, then I’d sit down with a piece of paper and listen to the song over and over until I had all the lyrics. It was a hobby of mine I guess, but it helped me later on when I started writing songs. I picked up the guitar at the age of 12. My best friend at the time played guitar. When I would go to his house he was always playing, so it became kind of boring just watching him play and I figured I should probably learn to play too. I played in a high school band. We played around my hometown at middle school dances, local festivals, we even played a wedding reception once. I was probably 18 though when I realized that music was something that I was very passionate about and that I wanted to pursue. From there I put myself through college at MTSU where I majored in the recording industry program. MTSU is one of the top recording programs in the country. I believe it was something like only 52 candidates made it into the program every semester. So, you started out with massive classes and by the time you were at the end of the program there might have been 15 people per class. I specifically put myself through that program because I wanted a career in music.


TCS: As a band what famous musicians do each of you admire and how have they influenced you both individually and collectively?

AL: I’m definitely a huge fan of 90’s music. The first rock band I really listened to was Live. From there I listened to Green Day, Bush, Nirvana, Stone Temple Pilots, Soundgarden, Metallica and so many others that I’d be naming them all day. Once I was in high school I started listening to a lot of Lynyrd Skynyrd and Creedence Clearwater Revival. I was actually nicknamed “Little Fogerty” because a lot of my fellow classmates thought I sounded just like John Fogerty. I was asked by teachers and students to sing in the middle of class and even in the middle of lunch one day. One of my football coaches was talking to another teacher about my singing and my coach said, “go ahead and sing for him.” I was a little hesitant, but did it anyways. The whole lunch room went silent and they just started listening to me sing. That was pretty cool and I think to this day that CCR and Fogerty has made my voice what it is. From there, I listened to bands like Lifehouse, Three Doors Down, Three Days Grace, Nickelback, Theory of a Deadman, Seether, Breaking Benjamin, Matchbox 20, and the list goes on. Every one of these bands taught me something about songwriting or writing lyrics with great imagery. I didn’t just listen to these albums I studied them.

Kenny Sheldon: When I first started playing guitar, I was heavily influenced by Live, and Metallica. Over the years my musical tastes have evolved, and I have Frank Zappa to thank (indirectly) for two of my essential developmental influences on guitar: Trey Anastasio (Phish), and John Petrucci (Dream Theater)…both of whom regard Zappa as a major influence of theirs.

Danny Rojo: Jaco Pastorius as he inspired me to play bass. I was playing guitar and clarinet, and the first moment I heard Pastorius playing bass, I decided the bass would be my signature instrument for the rest of my life, because of his sound, energy, and performance. Equally, I would say Eddie Van Halen because as a musician, I always admired innovation. I believe he’s the most innovative rock musician. He discovered sounds on the guitar that no one ever knew how to make before.

Matt Regan: For me, Mike Portnoy (Dream Theater), Brad Wilk (Rage Against The Machine), David Silveria (Korn), Chad Sexton (311), Matt Cameron (Soundgarden), Jeremy Taggart (Our Lady Peace), and Jose Pasillas (Incubus). I grew up playing along to all of these drummers and they’ve helped influence much of what I play today. Portnoy introduced me to drumming with a double bass drum pedal.

TCS: Can you describe for us the Everything Falls song writing, recording, and video production process behind the song “Sorry to Say” which appeared on the EP Fight From Within?

AL: I wrote the song “Sorry To Say” when I was 18. It’s a song that I’ve played and recorded with my band Linkous in Nashville and with Everything Falls. So, this song has been a standard song for me for almost 14 years now. I recorded the song with producer Scott Robinson at his Sonic Sweets Studio. On the track I played rhythm guitar, bass, and sang lead vocals and harmonies.

The video production was done by Taylor Morden and Joe Mach. They also did all of the set design. The storyline was created by my wife Mandy Linkous. We hired 3 individuals to be a part of the video. Nic Detorie played the lead actor along with our female lead Brittany Martz. Tara Brown was our second female actress. We shot the video over two days at a warehouse in Falls Church, VA. It was actually where Mike Smith and I worked. Our boss suggested and allowed us to use the space, which was a tremendous help. Taylor and Joe did an outstanding job with the production and I’ve been very proud to show that video to anybody and everybody that I can.


TCS: What types of guitars, drums, and other musical equipment does Everything Falls use?

AL: Mesa Boogie Dual Rectifier through a Marshall 2 x12 cabinet. I have three guitars: White-Gibson SG, Black-Gibson Les Paul Studio, and a Red-PRS SE Singlecut.

KS: Guitars: PRS Custom 22 Artist Series, Jackson RR3 Rhoads V (mods: Seymour Duncan neck/bridge pickups), Epiphone Les Paul Standard (mods: Seymour Duncan neck/bridge pickups), Ibanez AF75 hollowbody. Amps: Hughes & Kettner (head), Marshall (head), Crate (cab), Orange (cab). Effects: MXR, BOSS, Ibanez, and BBE pedals.

DR: Custom-made Warwick Streamer Deluxe 5-string, a Fender Jazz vintage 1978 bass and a fretless Fender Precision 1976 bass. I use a Mark Bass head and cabinets (endorsed), EBS pedals (endorsed) and Audix microphones (endorsed).

MR: 5 piece Pearl Export Pro series with a Pearl Eliminator Demon Drive double bass pedal and Pearl Eliminator high hat. Cymbals are a mix of Sabian AAX Omni ride, O-Zone splash, and Omni crash. Sabian HHX china, crash, Paiste splash. Sabian high hats and a Sabian Portnoy Mini Max Stax splash and China kang.

TCS: Personally, one of my favorite songs originally off of the EP Fight From Within is the track called “Everything That You Wanted,” so can you share with us the meaning behind it?

AL: I wrote the song “Everything That You Wanted” around 2006 while living in Nashville. I was in college at the time and had been married for a little over a year to my wife. I think at that time I just felt like there was nothing that could stop me from accomplishing what I wanted in this world. So many times people had told me that it’s just a dream and that you’ll never be able to amount to anything in the industry. Or, that you’re crazy for even trying to do this. To be told that you’re not good enough or the many discouraging things people say. Even my own thoughts were sometimes the enemy because I would start to listen to what people had said. This was my answer back to all that negativity and I think it resonates with a lot of people.


TCS: What do you think separates Everything Falls from similar bands and keeps you guys motivated to continue as a group?

AL: From what most of our fans have said, it’s our songwriting. They have told us that they instantly realized this wasn’t just another garage band. The last EP sonically sounded amazing as well thanks to Scott Robinson. That has definitely catapulted us out there.

I’ve approached this band kind of like a solo artist and I’ve built this band around my songs and my voice. It was necessary for me to set things up that way because I have had to move several times and may still have to in the future due to my wife’s job. It’s been a blessing in disguise though because this design has allowed me to grow my sound and given me flexibility to maneuver the many pitfalls that you run into in this industry.

TCS: Can you describe for us the song writing and recording background with the song “Come On” which also appeared on the EP Fight From Within?

I wrote “Come On” in 2008 I believe. I wanted to get a bit of a party song going, so I started out with the riff you hear in the beginning of the song. I started mumbling some words and “Come On” just naturally fell into place. Once I had the chorus I wasn’t quite sure what to do with the verses, so I imagined a bit of a bar scene. When I finished it was basically a story about a woman every guy was trying to hit on, but she only had eyes for me. Producer Scott Robinson also recorded “Come On” at Sonic Sweets. It featured Mike Smith on bass, Evan Louis on lead guitar, and Jeff Miklaszewski on drums.


TCS: In what ways does Everything Falls market band appearances, sell merchandise, and stay connected to your fans?

Our email newsletters are our number one way to keep up with our fans. You can sign up by going to our ReverbNation page or through the widget on the home page of our website. There are monthly giveaways and sales that you will not hear about elsewhere. Additionally, we have an online store our fans can access through our website http://www.everythingfallsband.com.

To stay connected with Everything Falls, please visit the following:

TCS: Take us behind the scenes in the making of your sophomore EP entitled Through The Storm. What was your favorite part of its production and the most challenging from an artistic perspective?

AL: The tracking for the album was done in February of this year at the beautiful Barber Shop Studios in Hopatcong, NJ (Breaking Benjamin, Chad Smith, Warren Hayes, The Pretty Reckless, and a host of other greats have all recorded there). We spent three days there with producer Brody Greif. The studio was right on lake Hopatcong and at the time the lake was completely frozen over with snow all around it and it was a gorgeous view to take in every morning before we started tracking.

Honestly, I think everyone in the band has a different idea of what was the best part of production. Personally, my favorite is always tracking vocals. It’s that point when I get to hear everything finally coming together. One of the most challenging aspects that we had to deal with was maneuvering around the weather. I believe it snowed two out of three days that we were there. I think the second morning we showed up and the temperature was just above single digits. Not the best weather to load in a bunch of gear. Once we were at the studio we were working for 12-13 hours solid. In the end, everything turned out very well though and I strongly believe the fans are going to be thrilled with the new EP. The staff and interns were all very helpful and did an amazing job at Barber Shop. The studio manager Ryan Barber was a pleasure to work with as well.


TCS: Is there a particular venue that Everything Falls has always wanted to play? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

AL: Madison Square Garden in New York, but I’d also love to play at The Ryman Theatre and Riverfront Park in Nashville, TN. I would love to play alongside bands like Breaking Benjamin, Staind, Metallica, Three Doors Down, and Shinedown.

KS: In New York, I would love to perform at Radio City Music Hall or the Beacon Theatre. In Boston, I would love to play at the Orpheum Theatre or the House of Blues. However, the venue I would most like to play, which I consider to be the Holy Grail for all musicians who live, or have lived in Boston is Fenway Park. I’ve seen Paul McCartney, Phish, and Dave Matthews Band there. Every show there had an amazing vibe, and because I played baseball from T-Ball to high school, it had another intangible layer of sentimentality for me. So, I would most like to play a show at Fenway Park, opening (if not co-headlining) for The Dropkick Murphys. The energy in that place, for that band, in Boston…it must be absolutely bonkers! Out of control insanity that I would love for us to be a part of!

DR: For me, it would have to be either Wembley Stadium or Madison Square Garden. And, I would love to be up on that stage with Dave Grohl, Lzzy Hale, Eddie Van Halen, and Stevie Wonder.

MR: Alongside Rage Against The Machine at Woodstock.


TCS: What famous song do you wish you had been credited with writing and performing?

AL: That’s a tough question! I can think of a ton of great songs that I wish I had penned and performed. I would have to say “Unchained Melody” by the Righteous Brothers. That’s hands down one of the most beautiful songs ever written in my opinion.

KS: I find myself saying “Bohemian Rhapsody” whenever I’m asked this particular question. I mean, how can you not wish you wrote the greatest song in rock and roll history? As for performing it, even though Queen didn’t play the middle section, I’ve always wanted to perform the song in its entirety!

DR: Van Halen’s “Running with the Devil”.

MR: Pink Floyd’s “Comfortably Numb”.

TCS: What does the short and long-term outlook look like for Everything Falls?

AL: Short-term: We release our new EP. The leadoff single for the EP will be “Let It Go (Enemy)” and the video will be out shortly after the release of the album. We’re also in rehearsals right now to gear up for touring (no dates announced yet).

Long-Term: We hope to put out at least four singles from this EP all with their own video. We also intend to be back in the studio around the first of next year to start working on another EP.

Booking Everything Falls

For booking information, please contact Aaron Linkous via email at everythingfallsband@gmail.com.

Song List on Through the Storm (2015)

Everything-Falls-Through-The-Storm

  1. “Let It Go (Enemy)”
  2. “This Time”
  3. “Burn”
  4. “Breaking Free”
  5. “Daylight Takes the Dawn”

Song List on Fight From Within (2011)

Everything-Falls-Fight-From Within

  1. “Sorry To Say”
  2. “Come On”
  3. “Everything That You Wanted”
  4. “Understand”
  5. “Dying Day”

About Frank Iacono

Frank Iacono - The Creative Spotlight

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Travis Clark: We The Kings

Written by: Frank Iacono and Celeste Iacono

Travis-Clark-we-the-kings

We The Kings is a melodic emo-pop band from Bradenton, Florida. Friends since childhood, the original four bandmates consisting of singer and guitarist Travis Clark, guitarist Hunter Thomsen, his bassist brother Drew Thomsen, and drummer Danny Duncan formed We The Kings while attending high school. They adapted their band name from the middle school that all the members attended called Martha B. King Middle School.

In 2007, under the guidance of manager Bret Disend, We The Kings placed a number of tracks on the social networking site PureVolume, a division of SpinMedia, to build online buzz. Meanwhile, they also pursued a deal with EMI’s imprint S-Curve Records, which eventually signed the group. On October 2, 2007, they released their self-titled debut album which was produced by Sam Hollander and mixed by Lou Giordano, both of whom had done work with some of emo-pop’s most marketable acts. That fall, “Check Yes Juliet” cracked the Pop 100, and the group spent much of the following two years on the road supporting the CD and building a loyal fan base.

By late 2009, We The Kings recorded and released their second album entitled Smile Kid. Like the band’s debut, Smile Kid spawned a Top 100 single with “We’ll Be a Dream,” which featured guest vocals from Demi Lovato. They continued to tour heavily, supporting fellow pop punk band All Time Low for several months before headlining their own shows both home and abroad. The shows stretched into 2011, by which point the group had already begun work on a third album Sunshine State of Mind which was released that summer and contained hits like “Friday Is Forever” and “Say You Like Me”.

On December 16, 2013 We The Kings released their fourth studio album entitled Somewhere Somehow which debuted at No. 44 on the US Billboard 200 and at No. 6 on the Rock Albums chart. The album was supported by four singles including “Just Keep Breathing”. In November of 2014, the band released the album Stripped exclusively through iTunes. It features acoustic versions of songs from Somewhere Somehow, including a rendition of the hit “Just Keep Breathing” as well as some new material, “Stone Walls” and the bonus track, “Is This the End?” Currently, Travis and his bandmates are busy working on completing their fifth studio album which should be released in the near future.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Travis Clark of We The Kings and asking him a few questions about the band, his personal background in writing some of their smash hits, his memorable performance at CBGBs in New York, and the band’s soon to be released fifth studio album.

Q&A Session

The Creative Spotlight: Can you introduce us to the We The Kings lineup and tell us what each person in the band does?

Travis Clark: The band lineup consists of the following (as shown in pic below):

  • Hunter Thomsen – Lead Guitar, Vocals
  • Coley O’Toole – Keyboards, Rhythm Guitar, Vocals
  • Travis Clark – Lead Vocals, Rhythm Guitar, Keyboards
  • Danny Duncan – Drums, Percussion
  • Charles Trippy – Bass Guitar

We-The-Kings-Lineup

TCS: For the benefit of those who are not familiar with We The Kings, where are you from and how would you describe your musical genre?

TC: We The Kings hails from Bradenton, Florida. Through the years, we’ve been listed as a melodic emo-pop band or something somewhere out there but I think we’re just an American rock band.

We-The-Kings-concert

TCS: Describe for us the background to the 2008 hit platinum single and featured iTunes Single of the Week entitled “Check Yes, Juliet” that sold over 250,000 copies and peaked at number 70 on the Billboard Hot 100 list in the US?

TC: “Check Yes, Juliet” was written in the final hours of the writing process and seemed to come out of nowhere. Dave Katz couldn’t seem to get this “Hey Mickey your so fine” sound out of his head and he had to write something for it during the final day of writing.


TCS: Why did you decide to sample a lyric from the song “Story of Your Life” from your second album Smile Kid (2009) and make that lyric the title of your album?

TC: The album title came first as it was always just an expression we used to remind ourselves to always keep it positive no matter what. We just added it to the song as it seemed to fit well with the vibe of that track.


TCS: In what ways does We The Kings market band appearances, sell merchandise, and stay connected to your fans?

TC: YouTube…YouTube…YouTube. We are a YouTube band for sure.

To stay connected with We The Kings, please visit the following:


TCS: After all these years, what separates We The Kings from similar bands and keeps you motivated to continue as a group?

TC: I think it is clearly our personalities. We definitely pride ourselves in engaging with our fans (some of us every day!) with more than just music.

TCS: Why did you choose “Heaven Can Wait” as the lead single for the 2010 album Smile Kid? And, what personal connection do you have with the song?

TC: “Heaven Can Wait” was actually the very first song we wrote and recorded for the album Smile Kid so I think the decision to let it be the lead single was just based on our excitement to get the new music out, so since it was ready, we released it! The connection I have to that song is more of an imaginary fantasy. What I mean by that is, the song was written with the idea that some loves will outlive death. I’ve always been a hopeless romantic writer but this was the first time that I wrote anything along the lines of ‘even death can’t kill our love’… “Heaven can wait” encompasses that idea of death can wait because our love will never die.


TCS: “Just Keep Breathing” from your 2013 album Somewhere Somehow, which after its first week of release debuted at number 44 on the Billboard 200, discusses lead singer Travis Clark’s coping with bullying. Due to this personal track, how fulfilling was it to find out that the song debuted at number 92 on the Billboard Hot 100 list with 48,000 downloads sold?

TC: I remember the day that we found out that “Just Keep Breathing” was in the top 5 of iTunes singles. We were an unsigned band promoting our music by ourselves and our friends and family. We had no idea how much of an impact that song would make. Each song, once it’s released, gives you a sense of accomplishment and fulfillment, but there truly is nothing like hearing that almost 50,000 people just bought your first single within the first couple of days and loved it.


TCS: What aspect of being musicians both excites and discourages We The Kings as a band the most? 

TC: Are there bands that are discouraged to be musicians? I could never imagine haha. We are always encouraged and excited about what we do. Getting together and going on stage is a part of who we are and it will never get old.

TCS: Is there a particular venue that We The Kings has always wanted to play?

TC: I’m pretty satisfied with being able to play CBGBs, the undisputed birthplace of punk, before they closed it down. It’s truly a piece of NY music history and we got to play on that stage. It was an honor really.

CBGB-New York-We-The-Kings

TCS: Over your career, We The Kings has toured with many different types of bands including Slayer, Iron Maiden, and Slash so can you tell us about that experience?

TC: This question is a bit deceiving as that was one festival show that we did in Australia a couple of years ago where those three bands were also featured. As much as I’d like to say that we have influences from Slayer, you can clearly tell that that is not the case.

TCS: What is the most exciting project We The Kings has worked on to date?

TC: Our latest album that will be released soon. The album is still without a title but the songs truly mean a lot to all of us.

Booking We The Kings

For booking information, please contact Matt Galle via email at mgalle@paradigmagency.com.

Song List on We The Kings (2007)

we-the-kings-album

  1. “Secret Valentine”
  2. “Skyway Avenue”
  3. “Check Yes Juliet”
  4. “Stay Young”
  5. “Whoa”
  6. “August Is Over”
  7. “The Quiet”
  8. “Don’t Speak Liar”
  9. “Headlines Read Out…”
  10. “All Again for You”
  11. “This Is Our Town”

Song List on Smile Kid (2009)

we-the-kids-smile-kid

  1. “She Takes Me High”
  2. “Promise the Stars”
  3. “Heaven Can Wait”
  4. “The Story of Your Life”
  5. “Rain Falls Down”
  6. “Summer Love”
  7. “In-n-Out (Animal Style)”
  8. “Spin”
  9. “Anna Maria (All We Need)”
  10. “We’ll Be a Dream (featuring Demi Lovato)”
  11. “What You Do to Me”

Song List on Sunshine State Of Mind (2011)

we-the-kids-sunshine-state-of-mind

  1. “Friday Is Forever”
  2. “Say You Like Me”
  3. “Every Single Dollar”
  4. “The View from Here”
  5. “The Secret to New York”
  6. “Sleep with Me”
  7. “Over You”
  8. “Kiss Me Last”
  9. “Somebody to Call My Own”
  10. “You and Only You”

Song List on Somewhere Somehow (2013)

we-the-kids-somehere-somehow

  1. “Queen of Hearts”
  2. “Find You There”
  3. “I Feel Alive”
  4. “I Like It”
  5. “That Feeling”
  6. “See You In My Dreams”
  7. “Die Young Live Forever”
  8. “Phoenix Hearts”
  9. “Any Other Way”
  10. “Say It Now”
  11. “Art of War”
  12. “Sad Song” (feat. Elena Coats)
  13. “Just Keep Breathing”

Song List on Stripped (2014)

we-the-kings-stripped

  1. “Just Keep Breathing”
  2. “Queen of Hearts”
  3. “I Feel Alive”
  4. “Sad Song” (feat. Elena Coats)
  5. “Any Other Way”
  6. “Art of War”
  7. “See You in My Dreams”
  8. “Find You There”
  9. “Stone Walls”

About Frank Iacono

Frank Iacono - The Creative Spotlight

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.

Ages Apart: Alternative Rock Band

Written by: Frank Iacono

Ages-Apart

In 2006, Ages Apart came together to write and produce music that they felt people needed to hear. They wanted to impact and change a culture held captive by stagnant radio recycled pop sounds and bring to the world music with substance and depth, where not all band’s sound and look the same.

With that, Ages Apart balanced beauty and aggression on their critically acclaimed 2009 debut release Can You Hear Me. The album is packed full of singles that scream the whispered fears and guilty secrets of a disenfranchised generation. Guided by veteran producer Travis Wyrick, who has worked with P.O.D, 10 Years, and Pillar, the band achieved a sound both daring and familiar, at times introspective and at others furiously emotional.

Over the years Ages Apart has been together, they have toured through over 20 states and gained the attention of the industry. Black and White magazine calls them “Timeless”. Timothy Toutges of Ed Jones Productions in Nashville raves “Ages Apart is a world class band that will go all the way! This is what Rock & Roll dreams are made of”.

Now, Ages Apart returns in 2015 with their widely anticipated sophomore release S.T.A.T.I.C. — an intense and multidimensional narrative of a broken society. With words of truth, meaning, and inspiration in times of need for a disenchanted world, S.T.A.T.I.C. asks you to See Through All The Intelligent Chaos.

In this edition of The Creative Spotlight, I had the pleasure of interviewing Cody Webb, Will Bradley, and Chris Srygley of Ages Apart and asking them a few questions about their musical influences, their songwriting and recording process, their summer tour with Hinder, and their new CD S.T.A.T.I.C.

Q&A Session

The Creative Spotlight: Can you introduce us to the Ages Apart lineup and tell us what each person in the band does?

Ages Apart: The Ages Apart lineup consists of the following:

  • Cody Webb – Lead Singer & Guitarist
  • Will Bradley – Bassist
  • Chris Srygley – Drummer

Ages-Apart-Band

TCS: How did you come up with the band name Ages Apart and is there any specific meaning behind it?

Chris Srygley: The name Ages Apart came about because the original lineup varied in age, and came from different backgrounds musically and personally.

TCS: For the benefit of those who are not familiar with Ages Apart, how would you describe your musical genre?

Will Bradley: Ages Apart is an Alternative Rock band. Fans mostly compare us to bands like 30 Seconds to Mars, Breaking Benjamin, and Shinedown.


TCS: How long has this current lineup of Ages Apart been playing together and how did you all get started?

Cody Webb: The current lineup has been together since 2011. I started the concept back in 2006 and Chris and I formed Ages Apart shortly thereafter in 2007. After an exhaustive search for a bassist, Marcus Chapman came in and filled the position. Marcus had to step down from his position in 2009 because of health issues. From 2009-2010 we had fill-ins tour with us until Will came on-board at the beginning of 2011. Will had been a fan of the band for years and was familiar with the material. He quickly became a permanent member of Ages Apart.

TCS: Cody, at what age did you realize that you wanted to be a musician? And, what famous musicians do you admire and how have they influenced you?

CW: I knew from the earliest that I can remember that I was going to be a part of the music world. I started beating on guitars before I could crawl and started writing songs around 7 years old. I have many influences in music but no one person, artist, or band really. My biggest influence is life.


TCS: Can you describe for us the Ages Apart song writing, recording, and video production process behind the song “Last Time” which appeared on the debut album Can You Hear Me?

CW: “Last Time” was written like most of our songs. I’ll come up with lyrics and vocal melodies and cut demos and start pre-production. After I have the arrangements set, we start studio production where everyone tracks their parts individually until we get the sound exactly how we want it.


TCS: What types of guitars, drums, and other musical equipment does Ages Apart use?

CW: I use Gibson and Taylor guitars, Marshall amps, TC Electronic effects, Lucid Audio Project and Spectraflex cables, SIT strings, Shure, and Line 6 mics. Will uses Fender basses, Acoustic brand amps, Lucid Audio Project cables, SansAmp effects/driver/DI, and Line 6 wireless systems. Chris uses Mapex drums, Vater sticks, Shure, Audix, and Sennheiser mics, Lucid Audio Project cables, and Zildjian cymbals.

The band is sponsored by and proudly uses Venue Magic for stage production and sound effects, Lucid Audio Project cables, Effect Audio IEM cables, CLS Road Cases, and Fishman pickups in our acoustic guitars.

TCS: Personally, one of my favorite songs off of Can You Hear Me is the track called “I Believed,” so can you share with us the meaning behind it?

CW: Everyone has their own interpretation and meaning of “I Believed” so I don’t want to take away from anyone’s personal experience of the song. To answer your question though, it’s essentially about putting your entire trust in someone, giving your all to them, to later find out that the person and relationship isn’t what you thought it was at all.


TCS: What do you think separates Ages Apart from similar bands and keeps you guys motivated to continue as a group?

CW: Our live show for one. We work hard to give the fans a killer show experience leaving them with something to remember for the rest of their lives. We aim to not just deliver the music, but to make a connection with everyone that we can. Another thing that I think makes Ages Apart unique is that the sounds you hear on our records are real. We don’t use fake/replaced drums, auto-tune, or anything like that. What you hear is what was played.

TCS: Can you describe for us the background behind the song “How Long” which appears on your widely anticipated sophomore release entitled S.T.A.T.I.C.?

CW: “How Long” is about the loss of self-respect which results in a loss of respect for others and other things. It’s about the amount of attention we put towards things of little to no value instead of focusing on helping each other and working together to make the world a better place. It’s about the lack of appreciation and respect for those here before us that worked extremely hard and died so we can enjoy everything we take for granted today.


TCS: So, what does S.T.A.T.I.C. stand for and how did you decide on it for the album name?

CW: S.T.A.T.I.C. stands for See Through All The Intelligent Chaos. I came up with the title while working on final lyrics for the record. The message of the record is ultimately about less division and coming together as a human race.

TCS: From an artistic perspective, what was your favorite part in the making of S.T.A.T.I.C. and what is your favorite song off of the album?

CW: Our favorite part of making S.T.A.T.I.C. is that we got to record it exactly how we wanted. This time around, we had no outside influence. It’s really hard for me to nail down a favorite song. I love all of them and they all have different personalities.

TCS: In what ways does Ages Apart market band appearances, sell merchandise, and stay connected to your fans?

CW: Although social media is a huge part of our outreach, we like to personally meet our fans. Our website is the hub of information and communication for us. We run our social media page so that’s where people can chat with us directly. Our merchandise is distributed through many stores throughout the world and that continues to grow daily.

To stay connected with Ages Apart, please visit the following:

Ages-Apart-The-Band

TCS: Share with us how excited you guys are to be touring with Hinder this summer and tell us how you landed the gig?

CW: We were very excited to have been on the road with Hinder this summer. It was a blast and those guys are good people. We’ve made a lot of new friends on this tour and are very thankful and proud to have been invited.

TCS: Is there a particular venue or festival that Ages Apart has always wanted to play? And, what other entertainer or entertainers would you most like to have play alongside you on that stage?

CW: We’d like to play Red Rocks in Colorado and would love to share the stage with Foo Fighters.

TCS: What does the short and long-term outlook look like for Ages Apart?

CW: We’ll continue touring in support of our new album S.T.A.T.I.C. and are constantly writing new material for the next record. Everyone checking out this interview, I invite you to grab a copy of our new album from your favorite retailer and come see a show.

Song List on S.T.A.T.I.C. (2015)

Ages-Apart-STATIC

  1. Civil War
  2. Wake Up
  3. How Long
  4. Victim
  5. Could It Be
  6. I’m Right Here
  7. Broken Home
  8. Where Do We Go
  9. This Is Goodbye
  10. Fight

Song List on Can Your Hear Me (2009)

Ages Apart - Can You Hear Me

  1. Intro
  2. Last Time
  3. Taking Me Down
  4. I Believed
  5. Letting Go
  6. My Own Disaster
  7. Torn
  8. Lost
  9. Burden
  10. Let Someone In

Booking Ages Apart

For booking information, please contact David Adkins at 503-983-3949 or via email at dadkins@integritymusicmanagement.com.

About Frank Iacono

Frank Iacono - The Creative Spotlight

Frank Iacono is a highly skilled results-oriented Strategic Marketing Professional with proven critical thinking, problem solving, and project management skills, developed through more than 20 years of experience concentrated in integrated marketing strategies. Frank brings a thorough, hands-on understanding of marketing strategies and technological platforms as related to applications available for web design, content development, email marketing, site and campaign analytics, search marketing and optimization, service and product marketing, lead and demand generation, social media, and customer retention.

Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he received his Webmaster Certification from Penn State Great Valley.