Written by: Frank Iacono
The name of the Oklahoma-based band Hillbilly Vegas gives you an idea of what to expect from their music – a southern influenced, rockin’ good time. Recently, Hillbilly Vegas, featuring lead singer Steve Harris, signed with Bristol Records and have garnered worldwide distribution with The Orchard, wholly owned by Sony Music Entertainment, and Perry Music Group. The first single entitled “Field Fulla Hillbillies” was written by Grammy Nominated country music singer/songwriter Davie Lee Murphy. “Field Fulla Hillbillies” is receiving positive reaction from radio stations across the country, who are testing and adding the track to their playlists, and it is sure to be a top charting song.
In the 1990’s, Steve was the singer of the popular Dallas, Texas-based Cold Ethyl but like so many other great bands during the same time frame their future was cut short by the emerging Seattle grunge wave. Although it was discouraging, he never completely left the music business. He became a club owner, a writer and part-time performer for many years until everything changed in August of 2008. At that time, he was named as one of the many singers being considered to replace the departed Scott Weiland in the hard rock supergroup Velvet Revolver. However, he and Kerry Plummer, who fronted the nationally popular Loaded Gunn, had been writing and putting together Hillbilly Vegas for 8 months by then and suddenly Steve lost his passion for Modern Rock. With that, he decided to return to his roots and focus solely on Hillbilly Vegas.
Blasting intensity right out of the gate, Hillbilly Vegas got loads of traction with their debut album Ringo Manor. The album moved a whopping 10,000 copies which is highly impressive for an emerging indie band. Equally, their first single entitled “Little Miss Rough and Tumble” scored major chart action by appearing on the National Country Music charts for 26 weeks.
Now, with deeper attitude and edge, they’re celebrating the freewheeling spirit of 76’ and getting everyone to “Shake It Like A Hillbilly” with their fiery, rockin’ new single and high energy video. The same video that landed the band the coveted title of 2016 LiftMaster Garage Band. As the 2016 winner, Hillbilly Vegas performed with country star Lee Brice during the Coca Cola 600 Sprint Cup Series race in Charlotte, North Carolina.
Along with their existing racing sponsorships with Dennis Schoenfeld Racing and Jake Davis Motor Sports the band feels like they’ve got some good mojo happening with the new sponsorships and their future singles, including the crackling party anthem “High Time For A Good Time” which will be used by Rocky Mountain High Brands in a national ad campaign. Times are good in the Hillbilly Vegas universe.
In this edition of The Creative Spotlight, I had the pleasure of interviewing Steve Harris and asking him a few questions about his musical influences, his songwriting and recording process, his upcoming tour schedule and his band’s short and long-term future plans.
The Creative Spotlight: At what age did you first realize that you wanted to be a musician and what was the first instrument that you learned how to play?
Steve Harris: When I was very young I discovered The Partridge Family, an American musical-sitcom starring Shirley Jones and featuring singer, songwriter and guitarist David Cassidy as Keith Partridge. From that moment, I was instantly hooked and wanted to be just like the character portrayed by Cassidy. As far as instruments, I started playing the guitar when I was a teenager. My ultimate passion and desire was to create my own music, so I taught myself how to write songs.
TCS: How did Hillbilly Vegas get started? And, how would you describe the Hillbilly Vegas’ musical genre and overall sound?
SH: We got our start much like everyone else, get a few musicians in a room, and they’re going to start a band every single time. Within six months we had our first contract offer. I think our musical genre can be defined as a combination of Southern rock, country and classic rock. Overall sound…LOUD is probably the best way to describe it…just kidding. Honestly, we are a live band and that’s where we are most comfortable.
TCS: Can you introduce us to the Hillbilly Vegas lineup and tell us what each person in the band does?
SH: The Hillbilly Vegas band lineup consists of:
- Steve Harris – Lead Singer
- Stacy Thornburg – Lead Guitarist
- John Reed – Rhythm Guitarist
- Robb Edwards – Bass Guitarist
- Troy Hollinger – Drummer
TCS: What famous musical artists and/or bands were among your early influences and helped shaped your musical style?
SH: Oh I don’t know…to be honest life itself is an influence. Where you grow up, what you’re exposed to, what your level of education and personal development are, and etc. Personally, I love musical artists from the 70s including lead vocalists such as Paul Rodgers from Free and Bad Company, Mark Farner from Grand Funk Railroad, Lou Gramm from Foreigner and so many more.
TCS: For the benefit of those who may not be too familiar with Hillbilly Vegas or your musical career, please describe for us how you started out and eventually ended up being the lead singer of the band?
SH: Again, as I mentioned Cassidy’s character Keith Partridge was my first big musical influence. When I was a child that show made me want to be a lead singer in a band. I suppose if you are born to be a performer it’s just inside you. But, for me it took a while to channel my creative energy. I didn’t know how to start a band let alone be a part of one, so I tried theatre and some other similar activities like that until I finally met some guys in high school who had a band and needed a singer. I told them I was a lead singer…I really wasn’t but my theatre background helped. We played our first gig at a skating rink. I just pulled out every David Lee Roth, lead singer of hard rock band Van Halen, move I’d ever seen and the rest was history.
TCS: From an in-studio perspective, which aspects of your 2016 album entitled ’76 did you find least problematic to put together and which were the most troublesome?
SH: Well, truly the ’76 experience was a joy. The back story being…we recorded our first album at Ringo Manor in Nashville, Tennessee but we weren’t completely happy with the overall experience. Our producer was a great guy, but the daily notes that we received from A&R, our recording label, when we arrived at the studio were a real drag. Some “suit” representing the label would listen to our daily work every evening and decide what he thought would be “better.” As a band, we are very proud of all of our work, but it was a constant struggle to maintain some of our own personal identity. With that, we decided that in order to maintain the integrity of ’76, we would leave Nashville and complete the recording process and bring the finished product back to them. So, we moved to Empire Sound in Carrollton, Texas. The most troublesome part of the experience was really just knowing when to quit. We had such a great time being alone in the studio with renowned Texas rock engineer and producer Alex Gerst that we could have kept recording for months.
TCS: Personally, one of my favorite songs off of that album is a song called “High Time For A Good Time” so can you share with us some of the background behind the hit?
SH: The song “High Time For A Good Time” is a very 70s rock influenced song. Stacy, our Lead Guitarist, brought the riff to rehearsal one day and it immediately painted a picture of good times and getting lost in the moment. I wanted anyone who heard the song to feel like they’ve heard it before and been there before. To me, music is a feeling more than anything and I hope this song gives people a good feeling.
TCS: Can you describe the first time you stepped onstage to perform and tell us how does it compare to being on stage now?
SH: The first time I stepped onto a stage to perform I was 6 years old and was wearing a donkey suit for a Christmas play. I made lots of donkey sounds and got a bunch of laughs…I was the loudest guy on stage even though I wasn’t supposed to have any lines or make lots of noises. It’s just the same today minus the donkey suit.
TCS: Tell us about the background story behind another great cut entitled “Long Way Back”?
SH: My grandfather was in the Navy during WW2. He shared a lot of war stories with our family all the time. One particular story always stuck with me. He was stationed on the USS Decator DD-341 and they were in North Africa. During liberty one day, he was sitting on the beach and he could hear music echoing from the ship anchored just off shore. It was the old song “Wreck on the Highway”. He recalled at that moment he never felt so lonely in all his life. He decided if he ever got back to Cecil, AR he was never leaving again. He did, and he didn’t. That’s the story of the song “Long Way Back”.
TCS: What’s the most unusual place that you’ve played or made a recording? And, how did the qualities of that place affect the show/recording?
SH: We once played a venue early in our career that had a pair of Conway Twitty’s pants framed and hanging on the wall. I couldn’t help but wonder why pants? Most of the time you see maybe a jacket, scarf, guitar something like that…but pants. So I had to ask during our performance. How is it that his pants are framed on the wall on this stage? The patrons and management didn’t see the same humor in it that I did and we were asked politely to never return. So that leads me to believe it’s quite a story and they don’t want it to get out…haha!
TCS: Another one of my favorite songs is the track called “Little Miss Rough and Tumble” so can you share with us the inspiration behind it?
SH: That song is very close to my heart. It’s simply about my daughter and how watching her grow up seemed like a blink of an eye.
TCS: How do you market your songs, albums, merchandise and appearances?
SH: For the majority of our career we’ve been completely on our own. We’ve done anything and everything possible to market our music. We recently signed a record deal with Bristol Records who are part of the Sony family and suddenly we have a lot more resources. They are doing an amazing job getting our music and message out. We have high hopes for this new relationship. However, we will never stop hustling and using any trick we can find to get the word out.
To stay connected, please join us on the following:
- Hillbilly Vegas Facebook
- Hillbilly Vegas Twitter
- Hillbilly Vegas Instagram
- Hillbilly Vegas YouTube
- Hillbilly Vegas iTunes
- Hillbilly Vegas Spotify
TCS: How in your opinion do you think people can broaden their horizons when it comes to different types of music?
SH: With today’s technology, music lovers can simply go to their favorite online music service such as Spotify, Pandora and iHeart and select any type of station they want to listen to when they want to listen. Our various Hillbilly Vegas stations on the aforementioned platforms as well as some others play a lot of artists that I never heard of before, but I truly love hearing their music. It’s interesting to see who those music services think sound similar to our music and place on our stations. So, I’d suggest just hitting a station and finding some good stuff you haven’t heard before and give it a listen.
TCS: What do you see yourself doing if you weren’t the lead singer in a band?
SH: For me, I would explore other creative escapes such as voicing cartoons. Prior to discovering music, that was my dream.
TCS: What does the short and long-term future look like for Hillbilly Vegas?
SH: The short-term future for Hillbilly Vegas is to simply board our tour bus and bring our music to as many music lovers and fans as possible. We’re all about creating fun, positive energy and memorable music that gives people a good feeling. I love hearing songs on the radio that stir up feelings that take me back to good times and great places – if we can do that for people, then we’ve achieved success. We can’t wait to get out there and shake the world’s hand and welcome them in to the Hillbilly Vegas family.
The long-term is a bit murkier, we would love to become a highly successful band and be able to keep doing what we are doing at a high level. But you never know what the next day brings in the music industry. So for now, we will remain focused on the short-term and let the long-term sort itself out.
About Frank Iacono
Since 2012, Frank Iacono has served as the President and CEO of The Creative Spotlight, the ultimate destination for unearthing a wealth of undiscovered musical talent, reading exciting interviews, releasing new music and sharing exclusive videos.
Every good story needs a good storyteller. And, The Creative Spotlight has truly provided a quality forum for revealing those great stories. Through the years, the online publication has featured national and local musicians such as Screaming For Silence, Ages Apart, Roxy Petrucci, Peter Beckett, We The Kings, Everything Falls, Rod Black, Derek Crider, Daniel Mason Band, Michelle Leigh, Jessie G., Karen Mansfield and Hillbilly Vegas. Additionally, we’ve also focused on historic Pennsylvania-based paranormal venues, well-known actors and actresses, published authors, professional artists, local businesses, consultants, trainers, speakers and more…
Frank has a BA degree in English/Communications and Marketing from Cabrini College, and he earned his Webmaster Certification from Penn State Great Valley.